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WWI

The King’s Man (2021)

The King's Man - IGN

DIRECTOR: Matthew Vaughn

CAST: Ralph Fiennes, Harris Dickinson, Gemma Arterton, Djimon Hounsou, Rhys Ifans, Matthew Goode, Daniel Brühl, Charles Dance, Aaron Taylor-Johnson, Tom Hollander, Stanley Tucci

REVIEW:

While The King’s Man is a bit of a redundant movie, it’s at least redundant in a slightly different way: instead of a dime-a-dozen unnecessary sequel, this one is an unnecessary prequel. 2014’s Kingsman was a fun campy romp, but 2017’s Kingsman: The Golden Circle proved that trying to draw a franchise out of it might have been overkill, and The King’s Man, reaching back to WWI to show the “origins” of the titular secret society of gentlemen spies and modern-day knights, has not changed that opinion. With an episodic structure that veers between a campy action/spy romp to a grim WWI war drama and eventually comes back round again, The King’s Man tries to be two clashing things at once and doesn’t fully succeed in any direction. It’s moderately enjoyable, but doesn’t recapture the entertainment value of the original installment.

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1917 (2019)

DIRECTOR: Sam Mendes

CAST: George MacKay, Dean-Charles Chapman

REVIEW:

Despite being the original so-called “War to End All Wars” (only to be surpassed for both global scale and body count by WWII a mere twenty years later), WWI hasn’t gotten much attention from the movies. Apart from All Quiet on the Western Front all the way back in 1930, and Steven Spielberg’s War Horse, there aren’t many notable films, or even films period, centering on the 1914-1919 conflict. With 1917, Sam Mendes has added at least one worthy entry to the slim ranks of WWI films. Filmed in seemingly one continuous unbroken take, 1917 is a visceral, immersive experience that takes us along with its two protagonists on a harrowing odyssey. It’s not the most “feel good” viewing (though nor is it as unremittingly bleak and hopeless as All Quiet on the Western Front), but it is by turns harrowing, heart-tugging, exhausting, heroic, and satisfying. All Quiet on the Western Front is its only real rival for the best WWI film ever made—not that there’s much other competition for that title—and for one of the last films of the year, it also stakes a worthy claim to being one of the most technically impressive and most powerful.

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Wonder Woman (2017)

DIRECTOR: Patty Jenkins

CAST: Gal Gadot, Chris Pine, Danny Huston, David Thewlis, Lucy Davis, Ewen Bremner, Saïd Taghmaoui, Eugene Brave Rock, Elena Anaya, Robin Wright, Connie Nielsen

REVIEW: 

For the troubled “DC Expanded Universe”, Wonder Woman is a sign that all may not be lost after the near-trainwrecks of Batman v Superman and Suicide Squad, but I’m not prepared to join the chorus singing its praises, and while it’s not a bad movie, I can’t help but wonder if the excitement is subconsciously influenced by how good it looks in comparison to its immediate predecessors.  As far as “origin stories” go, this falls somewhere in the middle; it’s easily a more competently-crafted film than BvS or Suicide Squad, but isn’t as memorable or innovative as the best of what either DC or Marvel has offered in recent years. Continue reading

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