CAST: Tom Holland, Michael Keaton, Marisa Tomei, Robert Downey Jr., Jon Favreau, Zendaya, Jacob Batalon, Laura Harrier, Tony Revolori
REVIEW:
When it comes to probably their most popular and best-known superhero, after the disappointment of 2007’s Spider-Man 3 and the 2012-2014 reboot misfire, Sony and Marvel are hoping the third time’s the charm. The title refers both to the high school homecoming dance that takes place in the movie, and is also a bit of a sly in-joke referring to Marvel Studios finally gaining access to Spider-Man’s film rights via a deal with Sony, allowing Spider-Man to finally join the Marvel Cinematic Universe; this is the sixth Spider-Man movie, but the first in which he’s had the chance to interact with other superheroes. Even while Iron Man, Thor, Captain America, and others were enjoying the cinematic limelight, both individually and together, Marvel’s most iconic superhero was missing from the crowd. Getting Spider-Man back into the fold was a major ace in the hole, and now, after his debut with his glorified (and awkwardly shoehorned) cameo in last year’s Captain America: Civil War, the latest onscreen incarnation of your friendly neighborhood Spider-Man is swinging into theaters in his own solo outing and the first of what Marvel hopes to be a successful new franchise with more longevity than Sony’s last attempt at a reboot. Homecoming is already opening strong and receiving glowing critical reception, but while it’s entertaining and enjoyable, like too many of the MCU’s solo outings that feel like side pit stops apart from the larger Avengers continuing narrative (also including 2015’s Ant-Man and 2016’s Doctor Strange), there’s something a bit underwhelming about the whole affair. Homecoming is a lot more watchable than Spider-Man 3, but feels lightweight and low stakes and lacks either the large-scale action or emotional depth of Spider-Man 2. Continue reading
CAST: Gal Gadot, Chris Pine, Danny Huston, David Thewlis, Lucy Davis, Ewen Bremner, Saïd Taghmaoui, Eugene Brave Rock, Elena Anaya, Robin Wright, Connie Nielsen
REVIEW:
For the troubled “DC Expanded Universe”, Wonder Woman is a sign that all may not be lost after the near-trainwrecks of Batman v Superman and Suicide Squad, but I’m not prepared to join the chorus singing its praises, and while it’s not a bad movie, I can’t help but wonder if the excitement is subconsciously influenced by how good it looks in comparison to its immediate predecessors. As far as “origin stories” go, this falls somewhere in the middle; it’s easily a more competently-crafted film than BvS or Suicide Squad, but isn’t as memorable or innovative as the best of what either DC or Marvel has offered in recent years. Continue reading