The King’s Man (2021)
DIRECTOR: Matthew Vaughn
CAST: Ralph Fiennes, Harris Dickinson, Gemma Arterton, Djimon Hounsou, Rhys Ifans, Matthew Goode, Daniel Brühl, Charles Dance, Aaron Taylor-Johnson, Tom Hollander, Stanley Tucci
REVIEW:
While The King’s Man is a bit of a redundant movie, it’s at least redundant in a slightly different way: instead of a dime-a-dozen unnecessary sequel, this one is an unnecessary prequel. 2014’s Kingsman was a fun campy romp, but 2017’s Kingsman: The Golden Circle proved that trying to draw a franchise out of it might have been overkill, and The King’s Man, reaching back to WWI to show the “origins” of the titular secret society of gentlemen spies and modern-day knights, has not changed that opinion. With an episodic structure that veers between a campy action/spy romp to a grim WWI war drama and eventually comes back round again, The King’s Man tries to be two clashing things at once and doesn’t fully succeed in any direction. It’s moderately enjoyable, but doesn’t recapture the entertainment value of the original installment.
Continue readingEnola Holmes (2020)
DIRECTOR: Harry Bradbeer
CAST: Millie Bobby Brown, Henry Cavill, Sam Claflin, Helena Bonham Carter, Louis Partridge, Burn Gorman, Adeel Akhtar, Fiona Shaw, Susie Wokoma, Frances de la Tour
REVIEW:
An adaptation of the first of a series of Sherlock Holmes spin-off novels by Nancy Springer inventing his younger (but equally deductive) sister Enola, Enola Holmes is a thin but breezy YA mystery-adventure that works almost in spite of itself. Fans of Sir Arthur Conan Doyle’s original Sherlock Holmes mysteries might be unimpressed by what amounts to YA spin-off fanfiction, but for those who aren’t too demanding, it’s a slight but charming diversion carried by a delightfully effervescent lead performance by Millie Bobby Brown.
Continue reading1917 (2019)
DIRECTOR: Sam Mendes
CAST: George MacKay, Dean-Charles Chapman
REVIEW:
Despite being the original so-called “War to End All Wars” (only to be surpassed for both global scale and body count by WWII a mere twenty years later), WWI hasn’t gotten much attention from the movies. Apart from All Quiet on the Western Front all the way back in 1930, and Steven Spielberg’s War Horse, there aren’t many notable films, or even films period, centering on the 1914-1919 conflict. With 1917, Sam Mendes has added at least one worthy entry to the slim ranks of WWI films. Filmed in seemingly one continuous unbroken take, 1917 is a visceral, immersive experience that takes us along with its two protagonists on a harrowing odyssey. It’s not the most “feel good” viewing (though nor is it as unremittingly bleak and hopeless as All Quiet on the Western Front), but it is by turns harrowing, heart-tugging, exhausting, heroic, and satisfying. All Quiet on the Western Front is its only real rival for the best WWI film ever made—not that there’s much other competition for that title—and for one of the last films of the year, it also stakes a worthy claim to being one of the most technically impressive and most powerful.
Continue readingPeter Rabbit (2018)
DIRECTOR: Will Gluck
CAST: Domhnall Gleeson, Rose Byrne, voices of James Corden, Colin Moody, Margot Robbie, Daisy Ridley, Elizabeth Debicki, David Wenham, Sia
REVIEW:
Devoted fans of Beatrix Potter’s gentle children’s stories will likely be appalled at how it’s been souped up with Home Alone-esque action, sometimes crude humor (though nothing that pushes the family friendly envelope very hard), and busy pop soundtrack, but Peter Rabbit keeps the action and comedy flying fast and furious enough that it will probably entertain small children while being at least passably enjoyable for the adults accompanying them. It’s not the most high-brow family friendly entertainment to be found, but parents on the lookout for something to take their children to that’s not an endurance contest for themselves could do worse. Continue reading
Darkest Hour (2017)
DIRECTOR: Joe Wright
CAST: Gary Oldman, Lily James, Kristin Scott Thomas, Ben Mendelsohn, Stephen Dillane, Ronald Pickup
REVIEW:
2017 has been a good year for the Dunkirk evacuation, a pivotal event in WWII but an incident which had previously received little Hollywood attention. Combined with Christopher Nolan’s “you are there” docudrama Dunkirk, which took us to the beaches, onboard the ships, and into the sky, and Lone Scherfig’s Their Finest, about a British propaganda film made about the event, Darkest Hour takes us to the vantage point of 10 Downing Street and centers around Winston Churchill himself. To this end, Darkest Hour features no real battle scenes—apart from fleeting glimpses—and its talky tone will limit its primary audience to history buffs, especially those with a particular interest in Churchill, but for those who consider themselves in that category, Darkest Hour is an engaging docudrama about the first two weeks in office of perhaps Britain’s most famous Prime Minister, and how he almost lost the position not long after he attained it. Continue reading
Breathe (2017)
DIRECTOR: Andy Serkis
CAST: Andrew Garfield, Claire Foy, Tom Hollander, Hugh Bonneville
REVIEW:
For his directorial debut, Andy Serkis (best-known as Hollywood’s go-to guy for motion capture performances) has elected to eschew the CGI and special effects his career is so entwined with, and tell the true story of Robin Cavendish. Cavendish, who passed away in 1994 at age 64, was one of the longest-surviving responauts (people who relied on a respirator to breathe) in the UK. In its portrayal of a real-life quadriplegic, and its focus on his marriage, Breathe is a sort of cousin to The Theory of Everything (about Stephen and Jane Hawking), and might appeal to some of the same audience, although those seeking something fresher and more stimulating than the standard-issue “inspirational biopic” formula won’t find it here. Continue reading
Dunkirk (2017)
DIRECTOR: Christopher Nolan
CAST: Fionn Whitehead, Aneurin Barnard, Harry Styles, Mark Rylance, Cillian Murphy, Tom Hardy, Kenneth Branagh, James D’Arcy, Jack Lowden, Tom Glynn-Carney, Barry Keoghan
REVIEW:
With Dunkirk, Christopher Nolan has switched gears into a genre he’s never explored before, the war film, with a docudrama depiction of the Dunkirk evacuation (named after the French town where it took place), where 300,000 British soldiers with their backs against the sea were rescued by an armada of civilian volunteers, including fishing boats and private yachts, in what became known as “the miracle of Dunkirk” (despite being a retreat, the mass rescue was so unlikely that Winston Churchill himself cautioned the celebratory mood by stating that “wars are not won by evacuations”). Perhaps partly because it focuses on an Allied retreat, perhaps partly because no Americans were involved (Dunkirk took place over a year before the United States entered the war), the Dunkirk evacuation hasn’t gotten much Hollywood attention; the only high-profile film I can recall even touching on it is Atonement, and that only in one sequence. For the venerable writer-director, Dunkirk showcases his often-cited greatest strengths and weaknesses perhaps more starkly than ever before; a technically virtuoso filmmaking accomplishment but emotionally cold. Dunkirk may strongly appeal to WWII buffs, but its appeal to mainstream audiences is in doubt. Continue reading
Legend (2015)
DIRECTOR: Brian Helgeland
CAST: Tom Hardy, Emily Browning, David Thewlis, Christopher Eccleston, Chazz Palminteri, Taron Egerton, Paul Anderson, Paul Bettany, Kevin McNally, Sam Spruell
REVIEW:
My opinion of Legend is much the same as that of another true crime docudrama, Black Mass, a few months earlier; a tour de force lead performance(s) and some memorable individual scenes doing too little to enliven an otherwise dull and generic gangster flick. If you’re a big enough fan of the gangster movie genre, or of Tom Hardy, Legend may be worth a look, but “legendary” it is not. Those hoping for a gangster epic conveying the true story of 1960s London’s notorious Kray twins will be left wanting. For writer/director Brian Helgeland, who made a name for himself with 1997’s LA Confidential (and also wrote and directed 1999’s deliciously hard-boiled crime caper Payback), this is a disappointingly uninspired and generic effort that like Black Mass comes across as “Scorsese-lite”. LA Confidential won Helgeland an Oscar, but while a case could easily be made for a nomination for Tom Hardy, the rest of Legend is far from Oscar material. Continue reading
Kingsman: The Secret Service (2015)
DIRECTOR: Matthew Vaughn
CAST: Taron Egerton, Colin Firth, Samuel L. Jackson, Mark Strong, Michael Caine, Sophia Cookson, Sofia Boutella, Edward Holcroft, Mark Hamill, Jack Davenport
REVIEW:
With Kingsman, Matthew Vaughn has done for the ‘60s British spy genre what he previously did for the comic book superhero genre with Kick-Ass: part tongue-in-cheek, part affectionate homage. Like Kick-Ass, Kingsman won’t be everyone’s cup of tea, but fans of the over-the-top action and cheeky humor of Roger Moore’s 007 outings might find much to appreciate here, even as it pokes fun at the conventions of the genre without going so far as to completely mock its obvious inspirations. Continue reading
The Second Best Exotic Marigold Hotel (2015)
DIRECTOR: John Madden
CAST: Judi Dench, Bill Nighy, Maggie Smith, Dev Patel, Ronald Pickup, Celia Imrie, Penelope Wilton, Diana Hardcastle, Tina Desai, Lillete Dubey, Richard Gere, David Strathairn
REVIEW:
2012’s The Best Exotic Marigold Hotel was a pleasant, unchallenging little morsel, but nothing about its modest charms cried out for a sequel, yet here we are. Unsurprisingly, like many an unnecessary sequel, the follow-up wears out the original’s limited welcome and, despite writer-director John Madden returning, hackneyed try-hard attempts at stirring up contrived plot complications and overly frantic wannabe comedy replaces the first movie’s gentle simple charms. It’s not worth checking back into the hotel to watch the somewhat sad sight of a cast of distinguished elder British thespians gamely going through the motions of material that’s beneath them.
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