The Devil All The Time (2020)
DIRECTOR: Antonio Campos
CAST: Tom Holland, Robert Pattinson, Sebastian Stan, Jason Clarke, Riley Keough, Bill Skarsgard, Eliza Scanlen, Haley Bennett, Mia Wasikowska, Harry Melling
REVIEW:
An adaptation of Donald Ray Pollock’s novel of the same name, The Devil All The Time suffers from a scattershot ensemble narrative—and overly slavish fidelity to Pollock’s sprawling written work—but compensates with a solid cast and a strong sense of atmosphere and slow burn tension to be a morbidly engrossing odyssey into darkness, even if it doesn’t quite add up to the sum of its parts.
Continue readingBoy Erased (2018)
DIRECTOR: Joel Edgerton
CAST: Lucas Hedges, Nicole Kidman, Russell Crowe, Joel Edgerton
REVIEW:
Boy Erased, the second directorial feature of actor Joel Edgerton and based on the memoirs of Garrard Conley (with names changed to protect both the innocent and some not-so-innocent), is not a feel good viewing but a worthwhile and important one. Conley’s memoirs, and now the film adaptation, shine a light on the long-running practice of so-called “conversion therapy”, a phrase which may not even be familiar to some viewers. Performed most often on underage children, and roundly debunked by virtually every reputable psychiatrist as both ineffective and unethical and psychologically harmful, conversion therapy aims to “convert” an individual with homosexual or bisexual inclinations into a heterosexual. To this end it uses a step-by-step program of indoctrination including techniques amounting to both psychological and physical abuse. While increasingly a discredited practice and banned in a growing number of states, conversion therapy remains legal on the books in thirty-six states. By telling one former patient’s story, Boy Erased offers both a frank condemnation of the insidious quackery of conversion therapy, and the dramatically compelling true story of one young man who emerged triumphant on the other side.
Continue readingGifted (2017)
DIRECTOR: Marc Webb
CAST: Chris Evans, McKenna Grace, Lindsay Duncan, Octavia Spencer, Jenny Slate
REVIEW:
Its trailers make it look like Lifetime Original Movie fodder served up with a cute precocious child and a dash of melodramatic courtroom drama, but that does Gifted a bit of a disservice. The movie isn’t anything hugely ambitious or original, but the movie is more emotionally true and—apart from some third act contrived narrative contortions—the drama more subdued than the previews might suggest, and the result deserves a chance to be judged on its own merits. Continue reading
Locke (2014)
DIRECTOR: Steven Knight
CAST: Tom Hardy, voices of Olivia Colman, Ruth Wilson, Andrew Scott, Ben Daniels, Tom Holland, Bill Milner
REVIEW:
So, how engaging can a movie be centering entirely on 90 minutes of a man driving in a car and talking on the phone, with the other characters only present via their voices? As it turns out, Locke is often surprisingly absorbing in the moment, even if it’s ultimately unable to withstand the onset of monotony. A small, low-key, low-budget indie movie initially opening at independent film festivals in the UK, Locke moved on to a limited theatrical release in the US amid positive critical reviews and a much-praised performance by Tom Hardy, but the prospect of spending an hour and a half watching a film in which nothing happens but a man driving in a car dealing with a series of personal crises on the phone is not a premise to draw mainstream crowds. Locke may be a critical darling, but it’s strictly indie art-house fare, and while an intriguing cinematic experiment, its gimmicky premise ultimately wears thin. Continue reading
Dallas Buyers Club (2013)
DIRECTOR: Jean-Marc Vallee
CAST: Matthew McConaughey, Jared Leto, Jennifer Garner
REVIEW:
Like 1993’s Philadelphia, Dallas Buyers Club centers on an individual’s experience in the AIDS crisis, but unlike Jonathan Demme’s earlier film, it tells a true story, that of Ron Woodroof, a homophobic heterosexual who was transformed by circumstances into a crusader for AIDS patients and the ringleader of a mostly gay Dallas-based group called The Dallas Buyers Club, using medications unapproved in the US and waging a years-long war with the FDA and extending his own life to another seven years, far beyond his initial prognosis of thirty days. While Philadelphia‘s flaws were somewhat mitigated by its social courage in releasing at the height of the AIDS epidemic, Dallas Buyers Club might have the most value to viewers too young to remember the climate of the time period, with AIDS sufferers treated with fear and ignorance and effective medication hard to come by. Continue reading
The Great Gatsby (2013)
DIRECTOR: Baz Luhrmann
CAST: Leonardo DiCaprio, Tobey Maguire, Carey Mulligan, Joel Edgerton, Elizabeth Debicki, Isla Fisher, Jason Clarke, Amitabh Bachchan, Jack Thompson
REVIEW:
I’ll get this out of the way right upfront: I have never read F. Scott Fitzgerald’s 1925 novel, now considered a staple of American literature (though it was received poorly at the time, perhaps partly due to its social commentary on 1920s excess), so this review will not include comparisons to the book or any previous film adaptation (the most prominent of which came out in 1974 and starred Robert Redford in the title role), merely review this as a stand-alone film. Continue reading
Les Misérables (2012)
DIRECTOR: Tom Hooper
CAST:
Hugh Jackman, Russell Crowe, Anne Hathaway, Amanda Seyfried, Eddie Redmayne, Samantha Barks, Sacha Baron Cohen, Helena Bonham Carter
REVIEW:
WARNING: THIS REVIEW MAY CONTAIN “SPOILERS”
Based on the phenomenally popular, long-running musical stage production which debuted in 1985, which itself was based on Victor Hugo’s 1862 novel, this musical big screen adaptation of arguably the greatest French novel was a long time coming. Attempts were made at bringing the musical version of Les Mis to the big screen since the 1990s, but the various productions fell through time and again, while several non-musical adaptations of Hugo’s magnum opus were featured both in the theater and on television, only finally moving full steam ahead in 2011, when Tom Hooper, fresh off his acclaimed historical drama The King’s Speech, came onboard. As someone who would not really consider himself a particular Les Mis aficionado, I’m not really in a position to say how satisfied the musical’s legion of fans will be by this film (though I suspect many of them should be). In fact, I’ve always been partial to the 1998 non-musical film starring Liam Neeson and Geoffrey Rush (although some of its omissions, including the character of Eponine, rankled fans). Even so, Les Mis is a lavish, sumptuous experience, with plenty of emotionally stirring moments along the way. It’s also as pure a musical as they come–lines of spoken dialogue are few and brief. Those for whom musicals are unbearable are not likely to have their opinion changed here. But for those who enjoy them, and especially for fans of this musical in particular, there is much to appreciate.
Perks of Being a Wallflower (2012)
DIRECTOR: Stephen Chbosky
CAST: Logan Lerman, Emma Watson, Ezra Miller, Mae Whitman, Paul Rudd, Dylan McDermott, Kate Walsh, Nina Dobrev, Melanie Lynskey, Joan Cusack
REVIEW:
Perks of Being a Wallflower, adapted from the book by Stephen Chbosky, who also wrote the screenplay and directed the film version, is part of a heavily-populated genre—the “coming-of-age” story, and like many of them, it focuses on the outsiders and non-conformists who spent high school on the outside looking in. There are moments of truth that recall those in cinematic cousins like Fast Times at Ridgemont High (though Perks of Being a Wallflower is more serious), The Breakfast Club, and others, but Perks of Being a Wallflower has enough to offer on its own to make it feel fresh. The characters, situations, and emotions don’t feel forced or over-the-top, and there’s a wry, subdued humor that keeps things from getting too melancholy (although there’s some of that too) without exaggerating for comedic effect. It’s poignant, funny, bittersweet, warmhearted, and nostalgic—just like a lot of people’s memories of high school. The lead characters have their eccentricities, but a lot of their experiences will strike cords of memory with many viewers, speaking to the universality of some things about high school.
Warrior (2011)
DIRECTOR: Gavin O’Connor
CAST: Tom Hardy, Joel Edgerton, Nick Nolte, Jennifer Morrison, Frank Grillo, Kevin Dunn
REVIEW:
WARNING: THIS REVIEW WILL REVEAL ASPECTS OF THE FILM’S PLOT
I don’t know much about MMA (Mixed Martial Arts) fighting, but that doesn’t matter here, because Warrior is less about the sport itself and more about the fractured family drama that plays out both in and outside the ring. MMA is the vehicle used to convey this story, but not the core of it, and even for those both unfamiliar with and not particularly interested in MMA fighting (including myself), Warrior is an engaging and sometimes powerful drama about universal themes of regrets, resentment, and forgiveness. Continue reading
Winter’s Bone (2010)
DIRECTOR: Debra Granik
CAST: Jennifer Lawrence, John Hawkes
REVIEW:
The third film from director Debra Granik and already an indie awards darling at the Sundance Film Festival, based on the novel by Daniel Woodrell, Winter’s Bone is a slow burn drama with some thriller elements whose indie sensibilities shine through loud and clear. Were this a sudio product, this would be pumped up with more conventional thriller elements, but here there’s no action sequences. There’s no overt straightforward conventional “villains” (albeit quite a few unsavory individuals), and the lead character isn’t an action heroine, just a 17-year-old girl with no extraordinary abilities beyond her wits and guts.
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