DIRECTOR: Timur Bekmambetov
CAST:
Benjamin Walker, Dominic Cooper, Mary Elizabeth Winstead, Rufus Sewell, Anthony Mackie, Jimmi Simpson, Erin Wasson, Alan Tudyk, Marton Csokas
REVIEW:
Did you know the Confederacy was allied with vampires during the Civil War, that Abraham Lincoln was a vampire hunter before and during his Presidency, and that it was only his delivery of silver to the battlefield that decided the Union victory at the Battle of Gettysburg? I kid, of course, but all of the above is what Abraham Lincoln: Vampire Hunter, an adaptation of Seth Grahame-Smith’s tongue-in-cheek pseudo-biography, would have you believe. Continue reading
DIRECTOR: Tony Gilroy
CAST: Jeremy Renner, Rachel Weisz, Edward Norton, Stacy Keach, Donna Murphy, Zeljko Ivanek, Oscar Isaac, Corey Stoll
REVIEW:
Considering that the total box office gross for the first three Bourne films is nearly $1 billion, the temptation was too much to resist for Universal Pictures to greenlight a fourth installment, even when director Paul Greengrass and star Matt Damon were uninterested in returning (Greengrass dismissively referred to a fourth film as “The Bourne Redundancy”). Universal tried to work their way around this not by recasting Jason Bourne, but introducing a new character within the same “universe”, but their approach was flawed (in my opinion, forging onward with more Bournes without Damon was a dubious prospect to begin with). While recasting the lead every few movies works for, say, the James Bond series, the Bourne trilogy was not stand-alone episodes, but one continuing story. The Bourne Legacy cannot stand on its own apart from its predecessors. Familiarity with the events of particularly The Bourne Ultimatum is necessary. The audience is invested in Jason Bourne’s journey, and having “Bourne” in the title without Bourne actually being in the movie feels like a cheat. Having him incessantly mentioned every ten minutes and flashing a still photograph only further feels like a tease. Had this ended up paying off in some way, even with a Damon cameo, it might have helped matters, but it never does. The filmmakers try to have their cake and eat it too by constantly reminding us of Jason Bourne’s existence to make this feel like part of the series, but also get us invested in a new character, but the reminders of Bourne only make Jeremy Renner’s Aaron Cross feel more like an impostor and prevent the movie from fully succeeding in either direction. It doesn’t have Jason Bourne, but nor does it strike fully out on its own and try to escape from his shadow, and this leaves it a hamstrung and unsatisfactory episode. And even taken on its individual merits, The Bourne Legacy is diverting in the moment, but has narrative issues of its own.
DIRECTOR: Christopher Nolan
CAST:
Christian Bale, Michael Caine, Gary Oldman, Anne Hathaway, Tom Hardy, Joseph Gordon-Levitt, Marion Cotillard, Morgan Freeman
REVIEW:
WARNING: WHILE I HAVE ASPIRED TO AVOID OUTRIGHT “SPOILERS”, THIS REVIEW WILL MENTION SPECIFIC ASPECTS OF THE FILM’S PLOT
Along with Joss Whedon’s The Avengers earlier this summer, Christopher Nolan’s Batman trilogy has redefined the possibilities of what to expect from a “comic book superhero movie” and raised the bar to a level that future entries in the genre will be hard-pressed to equal, let alone surpass. While The Avengers served up grand spectacle on an unprecedented scale, Nolan’s Batman films went the more thoughtful, introspective, and in many ways, more groundbreaking approach, defying the expectations and supposed constraints of the genre, approaching the material as deep, dark, serious drama, and making the likes of Spider-Man look fluffy and insubstantial in comparison. Batman Begins was a respectable launching pad. The Dark Knight soared above and beyond, seizing the title of, for my money and the money of many others, the most dark, ambitious, and adult-oriented comic book superhero movie ever made, and now Nolan has chosen to cap off his series with a climactic chapter, perhaps the first time a director in a superhero series has chosen of his own accord to conclude his story (as opposed to Sam Raimi’s Spider-Man and Bryan Singer and Brett Ratner’s X-Men, who were robbed of intended fourth installments by the disappointing receptions of their third entries). While in my opinion The Dark Knight remains unseated as the most impressive of Nolan’s Batman films, The Dark Knight Rises brings this solid trilogy to a respectable conclusion. Continue reading
DIRECTOR: Marc Webb
CAST:
Andrew Garfield, Emma Stone, Rhys Ifans, Denis Leary, Martin Sheen, Sally Field
REVIEW:
The road to this reboot was a twisty-turny one. Originally, despite the general opinion of Spider-Man 3 as a disappointment, Sony intended to forge onward with a fourth installment with director Sam Raimi and star Tobey Maguire still attached. But due to reasons including Raimi’s clashes with the studio during the making of Spider-Man 3 (he did not want to include the villain Venom in the film, who was essentially forced on him by producer Avi Arad), Maguire’s hefty salary requests, and possibly other behind-the-scenes issues we’ll never know about, Sony eventually completely dropped Raimi, Maguire, and company and decided to start fresh with another Spider-Man movie that, like Batman Begins, had nothing to do with those that came before. Many, including myself, were highly skeptical of the news of a reboot again showing us Spidey’s origin story, considering we’d seen it in theaters a mere decade ago, and I still haven’t 100% made up my mind whether the reboot has justified its existence, but viewed on its own, it’s an entertaining (if not quite “amazing”) addition to the masked webslinger’s onscreen adventues. Continue reading
DIRECTOR: Joss Whedon
CAST:
Robert Downey Jr., Chris Evans, Chris Hemsworth, Samuel L. Jackson, Mark Ruffalo, Scarlett Johansson, Jeremy Renner, Tom Hiddleston, Clark Gregg, Gwyneth Paltrow, Stellan Skarsgard
REVIEW:
I don’t think there’s ever been a movie with as much set-up as The Avengers, for which Iron Man, Iron Man 2, Thor, and Captain America all, to greater or lesser extents, served as prologue. It was a risky gamble (any of the four movies leading up to The Avengers flopping badly enough could have derailed the whole endeavor), but it has not only paid off, it has done so with flying colors. The Avengers is a virtual comic book movie fan’s wet dream from start to finish, and crafts an epic spectacle on a level that might surpass that of any existing comic book film. As entertaining as Iron Man and Thor are, The Avengers easily climbs to another level. The Dark Knight may deal with darker, deeper themes, but the two movies’ tones are different enough that it seems unfair to compare them, and both represent the genre at its crowning pinnacle. The Avengers is delirious levels of fun from beginning to end, and provides any Marvel comic fan with two hours in cinematic candyland. Continue reading
DIRECTOR: Martin Campbell
CAST:
Ryan Reynolds, Blake Lively, Peter Sarsgaard, Mark Strong, Tim Robbins, Angela Bassett, Jay O. Sanders, Michael Clarke Duncan (voice), Geoffrey Rush (voice), Clancy Brown (voice)
REVIEW:
Green Lantern is passable entertainment for two hours of diversion for comic book movie fans who aren’t too demanding, but for anyone else—and probably even them—it’s generic and disposable. Continue reading
DIRECTOR: Matthew Vaughn
CAST:
James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult, Kevin Bacon, Rose Byrne, January Jones, Caleb Landry Jones, Lucas Till, Edi Gathegi, Zoe Kravitz, Jason Flemyng, Oliver Platt
REVIEW:
Back when he wrote and directed 2000’s X-Men, Bryan Singer eschewed an origin story, jumping into the action with the X-Men already formed, deeming origin stories unnecessary and constraining. A decade later, Singer (who helped develop the story and served as producer here) and director Matthew Vaughn decided to tackle the ‘origin story’ after all, not only of the ‘first class’ of X-Men, but the friends-turned-enemies Charles Xavier/Professor X and Erik Lensherr/Magneto. While 2009’s X-Men Origins: Wolverine failed to do anything interesting with its central character, Vaughn and company have righted that wrong here. First Class is easily ahead of The Last Stand, and might well top out X-Men and X2 for the best installment the series has produced so far. Continue reading
DIRECTOR: Kenneth Branagh
CAST:
Chris Hemsworth, Natalie Portman, Anthony Hopkins, Tom Hiddleston, Stellan Skarsgard, Kat Dennings, Idris Elba, Ray Stevenson, Jaime Alexander, Josh Dallas, Tadanobu Asano, Clark Gregg, Rene Russo, Colm Feore
REVIEW:
Like 2008’s Iron Man and 2010’s Iron Man 2, along with this summer’s upcoming Captain America, Thor is one of various comic book movie installments introducing the individual Marvel superheroes who will be finally united onscreen in 2012’s The Avengers, but as Jon Favreau did with Iron Man, Kenneth Branagh is able to make Thor stand on his own as a superhero rather than letting his intro feel like a two hours Avengers preview. Continue reading
DIRECTOR: Louis Letterier
CAST:
Sam Worthington, Liam Neeson, Ralph Fiennes, Gemma Arterton, Alexa Davalos, Mads Mikkelsen, Jason Flemyng, Liam Cunningham, Hans Matheson, Nicholas Hoult, Pete Postlethwaite
REVIEW:
I don’t look back on the original Clash of the Titans through rose-tinted nostalgic glasses. I probably watched it a hundred times when I was a kid, and thought it was great, but in hindsight, it’s campy and hokey, with laughably wooden acting, led by a poofy-haired Harry Hamlin and Laurence Olivier on autopilot, and Ray Harryhausen’s stop-motion animation was state-of-the-art in its heyday in the ‘50s and ‘60s but compared to 1977’s Star Wars made the 1981 Titans look significantly older than it was. While unnecessary remakes abound in Hollywood, this is the kind of movie that could actually benefit from a remake with better acting and updated visual effects. Continue reading
DIRECTOR: James Cameron
CAST:
Sam Worthington, Zoe Saldana, Sigourney Weaver, Stephen Lang, Michelle Rodriguez, Giovanni Ribisi, Joel David Moore, CCH Pounder, Wes Studi, Laz Alonso
REVIEW:
It’s possible to experience a little of the same thrill watching Avatar that audiences felt in 1977 watching the original Star Wars for the first time. It embodies the feeling of wonder and being transported to another world that an elite few films truly evoke. It is quite possibly the the most technically amazing motion picture yet to hit the screen. Continue reading