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Sigourney Weaver

Avatar (2009)

DIRECTOR: James Cameron

CAST:

Sam Worthington, Zoe Saldana, Sigourney Weaver, Stephen Lang, Michelle Rodriguez, Giovanni Ribisi, Joel David Moore, CCH Pounder, Wes Studi, Laz Alonso

REVIEW:

It’s possible to experience a little of the same thrill watching Avatar that audiences felt in 1977 watching the original Star Wars for the first time. It embodies the feeling of wonder and being transported to another world that an elite few films truly evoke. It is quite possibly the the most technically amazing motion picture yet to hit the screen. Continue reading

Holes (2003)

DIRECTOR: Andrew Davis

CAST:

Sigourney Weaver, Jon Voight, Patricia Arquette, Tim Blake Nelson, Shia LaBeouf, Khleo Thomas, Dulé Hill, Henry Winkler, Siobhan Fallon, Nathan Davis, Eartha Kitt, Scott Plank, Roma Maffia

REVIEW:

I wasn’t expecting too much from Holes the first time I saw it, and with some reason; Disney’s live-action films aren’t generally noted for their quality (or even for being bearable). Fortunately, Holes is a surprisingly enjoyable exception, well-acted, quirky, and with a surprising amount to offer adults as well as the young readers of Louis Sachar’s much-loved book. Continue reading

Heartbreakers (2001)

DIRECTOR: David Mirkin

CAST: Sigourney Weaver, Jennifer Love Hewitt, Gene Hackman, Ray Liotta, Jason Lee

REVIEW:

Despite a little star power in its cast, Heartbreakers doesn’t really rise above television sitcom level, but it’s an entertaining enough diversion that serves up enough laughs to be enjoyable, at least until its overlong runtime and dragged-out third act starts to wear out its modest welcome. Continue reading

Alien Resurrection (1997)

DIRECTOR: Jean-Pierre Jeunet

CAST:

Sigourney Weaver, Winona Ryder, Ron Perlman, Michael Wincott, Dominique Pinon, Gary Dourdan, Dan Hedaya, J.E. Freeman, Brad Dourif, Leland Orser, Kim Flowers

REVIEW:

Like many a film franchise, the Alien series started out strong, then didn’t know when to quit. Greed to make more money overrode the artistic integrity of stopping when the series was ahead and had fresh, original places to take the story. Alien Resurrection is at least not the dreary, depressing experience of the morbid Alien 3, but that’s damning with faint praise. Continue reading

Alien 3 (1992)

DIRECTOR: David Fincher

CAST:

Sigourney Weaver, Charles Dance, Charles S. Dutton, Brian Glover, Ralph Brown, Pete Postlethwaite, Lance Henriksen

REVIEW:

The phrase ‘third time’s the charm’ doesn’t ring true for the Alien series. Alien was a solid start, and Aliens represented the series at its peak; everything else was downhill from there.  Given the notoriously tumultuous production, with the storyline going through various and wildly contrasting versions, ever changing directors, a multitude of screenwriters, clashes between directors and producers and lead actress Sigourney Weaver, and the production running significantly over budget, with millions of dollars wasted on elaborate set pieces that never ended up being used due to the script in continuous rewrites throughout filming, it’s a small wonder the movie ever ended up getting finished in halfway watchable form at all, but in retrospect I’m not sure if it was worth the effort. Alien 3 is a dark, dreary, and depressing experience. Which is not to say that Alien or Aliens were uplifting movies, but the third entry smacks of a lot of pointless nastiness without redeeming qualities. Continue reading

Aliens (1986)

DIRECTOR: James Cameron

CAST:

Sigourney Weaver, Michael Biehn, Carrie Henn, Paul Reiser, Lance Henriksen, Bill Paxton, Jenette Goldstein, William Hope, Mark Rolston, Al Matthews

REVIEW:

Aliens, along with James Cameron’s sci-fi hit five years later, 1991’s Terminator 2: Judgment Day , is both among the best sci-fi action thrillers ever made, and a rare example of a sequel surpassing the original. Continue reading

Alien (1979)

DIRECTOR: Ridley Scott

CAST:

Sigourney Weaver, Tom Skerritt, Ian Holm, Veronica Cartwright, Yaphet Kotto, Harry Dean Stanton, John Hurt

REVIEW:

In some ways, Alien could be seen as moving the Halloween-style slasher horror movie into outer space, but its achievement was more than that. While the best-known sci-fi at the time was the fairly lightweight Star Wars and Star Trek, with Alien Ridley Scott looked through the glass darkly.  The movie is a dark experience, a slow-moving thriller that gradually and inexorably builds up the suspense until certain scenes and the climax in particular ascend to nerve-wracking tension. It’s the kind of movie that’s dark and harrowing to the extent that it’s questionable to call it conventionally “enjoyable”, but it is undeniably skillful filmmaking that shows a keen understanding of building suspense. Continue reading

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