DIRECTOR: Kenneth Branagh
CAST:
Kenneth Branagh, Sir Derek Jacobi, Julie Christie, Kate Winslet, Nicholas Farrell, Michael Maloney, Richard Briers, Charlton Heston, Billy Crystal, Robin Williams, Brian Blessed, Jack Lemmon, Rosemary Harris, Rufus Sewell, Timothy Spall, Reece Dinsdale, Gerard Depardieu, Sir John Gielgud, Judi Dench, Sir Richard Attenborough
REVIEW:
WARNING: This review mentions specific details of the plot
In the world of Shakespearean film, few figures loom larger than Kenneth Branagh. William Shakespeare is something of an obsession for Branagh, who directed Henry V and Much Ado About Nothing, co-starred in Othello, and here wears three hats as writer, director, and star of this lavish, star-studded adaptation of Hamlet, the only version to include every single line from the play intact and as such running approximately four hours. Continue reading
CAST: Mel Gibson, Gary Sinise, Rene Russo, Delroy Lindo, Lili Taylor, Liev Schreiber, Donnie Wahlberg, Evan Handler, Brawley Nolte
REVIEW:
Ron Howard is on a roll, and for his latest venture, coming on the heels of last year’s docudrama Apollo 13, he’s turned to the thriller genre, with this loose remake of the 1956 Glenn Ford film of the same name. Ransom isn’t flawless, but Howard’s taut direction, a twisty-turny script by Richard Price and Alexander Ignon, and a capable cast add up to a slick thriller that provides a mostly solid couple hours of diversion. Continue reading
DIRECTOR: Stephen Hopkins
CAST: Michael Douglas, Val Kilmer, John Kani, Brian McCardie, Bernard Hill, Om Puri, Tom Wilkinson, Emily Mortimer
REVIEW:
The Ghost and the Darkness is obviously an attempt to do for the African tall grass what Jaws did for the water, with two lions in place of a great white shark, but it falls far short of Jaws’ classic status for a few reasons. One, director Stephen Hopkins is no Steven Spielberg. Two, Michael Douglas and Val Kilmer are not playing characters nearly as well-delineated as those played by Roy Scheider, Richard Dreyfuss, and Robert Shaw. Prolific author and screenwriter William Goldman (who’s written titles as diverse as The Princess Bride, Marathon Man, All the President’s Men, and Butch Cassidy and the Sundance Kid) does not churn out one of his stronger works. As an example of the general level of subtlety, the big game hunter is named Remington, and it’s the kind of movie where people say painfully earnest wannabe profundities like “you build bridges. You have to go where the rivers are”. Continue reading
CAST: Liam Neeson, Aidan Quinn, Julia Roberts, Alan Rickman, Stephen Rea, Ian Hart, Brendan Gleeson, Charles Dance
REVIEW:
Irish director Neil Jordan isn’t one to shy away from controversy (The Crying Game), and his latest film, a biopic of IRA (the so-called Irish Republican Army) founder Michael Collins, is sure to generate it again, both from those who feel it overly glorifies a man who, depending on who you ask, could either be labeled a freedom fighter or a terrorist, and from those who object to its negative portrayal of former Irish president Eamon De Valera. Taken on its own merits, however, Michael Collins is a well-crafted, compelling historical drama anchored by a forceful lead performance by Liam Neeson. Continue reading

DIRECTOR: Michael Bay
CAST: Nicolas Cage, Sean Connery, Ed Harris, Michael Biehn, William Forsythe, David Morse, John Spencer, Stuart Wilson, Philip Baker Hall, Vanessa Marcil, Claire Forlani, John C. McGinley, Tony Todd, Bokeem Woodbine, Danny Nucci
REVIEW:
Among the dime a dozen action flicks on the filmographies of director Michael Bay and producer Jerry Bruckheimer, The Rock is one of the stronger (comparatively speaking) entries. It’s still firmly in the “check your brain at the door” category, but a buddy movie element and the charisma of stars Nicolas Cage and Sean Connery helps give a needed bump to the proceedings.
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DIRECTOR: John Schlesinger
CAST: Sally Field, Ed Harris, Kiefer Sutherland, Joe Mantegna, Beverly D’Angelo, Charlyane Woodard, Philip Baker Hall, Keith David
REVIEW:
Eye for an Eye is a particularly nasty piece of audience emotional manipulation that plays on primal fears, served up courtesy of luridly disturbing scenes of sexual violence, to guide us into accepting the filmmakers’ case for vigilante justice. In truth, I’m less offended by the filmmakers’ views than I am by the cheap and exploitative route they take to try to get us in their corner.
Continue readingCAST: Al Pacino, Robert De Niro, Val Kilmer, Tom Sizemore, Diane Venora, Ashley Judd, Amy Brenneman, Jon Voight, Mykelti Williamson, Dennis Haysbert, Wes Studi, Ted Levine, William Fichtner, Danny Trejo, Kevin Gage, Natalie Portman
REVIEW:
Heat is writer-director Michael Mann’s (Manhunter, The Last of the Mohicans) magnum opus ode to the crime thriller genre, what could have been a generic tale of cops and robbers elevated to crime epic by a level of depth and nuance one doesn’t often find in the genre, assured direction, and a smart screenplay that has something to say beyond hard-boiled crimebusters cliches. This is just as masterful filmmaking as Mann’s 1992 adventure The Last of the Mohicans, and in a completely different genre and setting. Continue reading
DIRECTOR: Kathryn Bigelow
CAST:
Ralph Fiennes, Angela Bassett, Juliette Lewis, Tom Sizemore, Michael Wincott, Vincent D’Onofrio, William Fichtner, Brigitte Bako, Josef Sommer, Glenn Plummer
REVIEW:
A murder-mystery with the backdrop of a vivid and fascinating slightly futuristic sci-fi visionary thriller, Strange Days is entirely worthy of anything with James Cameron’s name attached, and director Kathryn Bigelow (Cameron’s ex-wife) is entirely up to the task of helming Cameron’s story. Strange Days is the whole package: thinking man’s entertainment while appealing equally to the brain and the visceral. Continue reading

DIRECTOR: Roland Joffe
CAST: Demi Moore, Gary Oldman, Robert Duvall, Joan Plowright, Robert Prosky, Dana Ivey, Edward Hardwicke
REVIEW:
That Roland Joffe’s film is “freely adapted”, as it puts it, from Nathaniel Hawthorne’s 1850 novel isn’t necessarily an inherent problem. Book purists would grumble, for sure, but a movie adaptation of a book taking significant liberties is nothing new. The problem isn’t necessarily that The Scarlet Letter has been freely adapted into a movie, it’s that it’s been freely adapted into this movie, which cheerfully throws Hawthorne’s themes to the wind and turns his Puritan morality play into a feminist treatsie on sexual and religious liberation. Those themes are all well and good, but they’re not The Scarlet Letter, and what’s worse, it’s all wrapped up in a sudsy, overwrought romantic soap opera.
Continue readingCAST: Sylvester Stallone, Antonio Banderas, Julianne Moore
REVIEW:
If not for the involvement of action star Sylvester Stallone, one senses Assassins would be straight-to-video fare, and that’s where the quality level lies. For helmer Richard Donner, this is a disappointing step down from the Lethal Weapon series, and doesn’t represent anything more than a mindless diversion for any but the most undemanding of action fans. Continue reading