Switchback (1997)
DIRECTOR:
Jeb Stuart
CAST:
Dennis Quaid, Danny Glover, Jared Leto, R. Lee Ermey, Ted Levine, William Fichtner, Leo Burmester
REVIEW:
Unlike most entries in the serial killer/thriller genre, Switchback moves at a leisurely pace, relying more on character development than jolts, but it’s a solid effort that sets itself apart from standards of the genre in some ways yet is a worthy entry among them. Continue reading
Gattaca (1997)
DIRECTOR: Andrew Niccol
CAST: Ethan Hawke, Jude Law, Uma Thurman, Loren Dean, Alan Arkin, Gore Vidal, Ernest Borgnine, Xander Berkeley, Tony Shalhoub, Elias Koteas
REVIEW:
Gattaca, an impressive debut from first-time writer-director Andrew Niccol, is that rarest and most laudable of entries in the “sci-fi” genre: one that is actually seriously interested in exploring themes of societal inequality and the indomitability of the human spirit, wrapped up in an unconventional suspense thriller.
Continue readingKiss the Girls (1997)
DIRECTOR: Gary Fleder
CAST:
Morgan Freeman, Ashley Judd, Cary Elwes, Tony Goldwyn, Alex McArthur, Bill Nunn, Jay O. Sanders, William Converse-Roberts, Brian Cox, Jeremy Piven, Gina Ravera, Richard T. Jones, Roma Maffia
REVIEW:
WARNING: THIS REVIEW WILL CONTAIN “SPOILERS”
Crime author James Patterson is a bit like the dime novels you might snatch up at the airport; he doesn’t churn out the stuff of Shakespeare, but it’s a quick, easy read, brisk and compulsively page-turning. Likewise, Kiss the Girls is such a film, a decent little mystery thriller that provides a brisk couple of hours when looking for something reasonably diverting. It’s bolstered by a couple of strong lead performances, but one feels a more stylish, atmospheric director like David Fincher (who helmed the darker and more disturbing Se7en, also starring Morgan Freeman) could have done more with the material than the TV-movie look and feel of the comparatively nondescript Gary Fleder. Continue reading
Conspiracy Theory (1997)
DIRECTOR: Richard Donner
CAST: Mel Gibson, Julia Roberts, Patrick Stewart, Cylk Cozart, Steve Kahan
REVIEW:
There’s a tantalizing glimpse of an edgier indie thriller/dark comedy somewhere within the genesis of Conspiracy Theory, but it’s buried within a “safe” thriller/mystery/romance potboiler. The result is watchable, and mildly entertaining, but it’s no more than mediocre as an action thriller, with a love story that somewhat strains credibility. It’s the kind of movie where one can see the cliched thriller/action/romance beats ticking themselves off.
Continue readingAir Force One (1997)
DIRECTOR: Wolfgang Petersen
CAST: Harrison Ford, Gary Oldman, Glenn Close, Wendy Crewson, Liesel Matthews, Dean Stockwell, William H. Macy, Paul Guilfoyle, Xander Berkeley, Philip Baker Hall, Jurgen Prochnow
REVIEW:
Air Force One, the third major American action thriller from German director Wolfgang Petersen (following In the Line of Fire and Outbreak), proves that an accomplished action director can turn a flimsy premise into an entertaining ride, smoothly distracting from some plot holes and implausibiliites to turn Air Force One into one of the better of the myriad Die Hard-esque action flicks that have come out in the years since 1988’s Die Hard popularized the basic premise. It’s not as good as the original Die Hard, but it’s an entertaining ride if you don’t scrutinize everything too closely. Continue reading
The Lost World: Jurassic Park (1997)
![Retrospective] Why 'The Lost World: Jurassic Park' Is a Better Sequel Than It Gets Credit For - Bloody Disgusting](https://bloody-disgusting.com/wp-content/uploads/2018/06/jp-lw-1.jpg)
DIRECTOR: Steven Spielberg
CAST: Jeff Goldblum, Julianne Moore, Vince Vaughn, Richard Schiff, Vanessa Lee Chester, Arliss Howard, Pete Postlethwaite, Peter Stormare, Richard Attenborough
REVIEW:
When Jurassic Park debuted in 1993, it ushered in a special effects landmark, bringing dinosaurs to the screen that looked so astonishingly real that audiences were effectively ooed and ahhed into being easily forgiving of a generic narrative and thinly-drawn characters. Alas, four years later, the “wow” factor has worn off to the point that the special effects don’t quite compensate for the limitations this time. Steven Spielberg and Industrial Light & Magic are back, but while The Lost World has its highlights, it’s missing some of the magic.
Continue readingThe Fifth Element (1997)
DIRECTOR: Luc Besson
CAST: Bruce Willis, Gary Oldman, Milla Jovovich, Ian Holm, Chris Tucker, Brion James, Luke Perry, Tommy Lister
REVIEW:
It’s unsurprising that Luc Besson wrote The Fifth Element when he was a teenager, even if it took him decades to bring it to the screen. Put simply, The Fifth Element is a hot mess of a movie, a scatterbrained, scattershot hodgepodge of colorful scenes thrown slapdash into the mix, with a borderline incoherent plot to string it all together, served up with $100 million worth of visual razzle dazzle, relying on a sensory overload to compensate for a muddled narrative. The result still has its entertainment quota, and is a colorful, lively, and vibrant enough ride that it’s at least not boring, but it helps to shut your brain off in the interim. Continue reading
Anaconda (1997)
DIRECTOR: Luis Llosa
CAST: Jennifer Lopez, Ice Cube, Jon Voight, Eric Stoltz, Jonathan Hyde, Owen Wilson, Kari Wuhrer, Vincent Castellanos, Danny Trejo
REVIEW:
Much like 1995’s The Ghost and the Darkness, Anaconda is another hokey ’90s creature feature that tries to do for its designated “monster” what Jaws, the grand daddy of them all, did for sharks. With The Ghost and the Darkness, it was a pair of man-eating lions. With the simply-titled Anaconda (recalling the B-movie Piranha), its giant people-swallowing snakes in the depths of the Amazonian jungle. And much like the previous Jaws wannabe, Anaconda just can’t get the hang of this sort of thing. But unlike the lion movie, that was self-serious to a sometimes unintentionally comical extent, Anaconda at least has a goofy, campy element, and its level of intentional tongue-in-cheek humor, while not going all-out with it on as fun of a level as Tremors, has led to it becoming a “so bad it’s good” cult classic that can be enjoyed on a silly level as long as you’re not trying to take it too seriously.
Continue readingThe Saint (1997)
DIRECTOR: Philip Noyce
CAST: Val Kilmer, Elisabeth Shue, Rade Sherbedgia, Valery Nikolaev, Michael Byrne, Henry Goodman, Alun Armstrong, Charlotte Cornwell
REVIEW:
An adaptation of the 1960s television series, which was itself an adaptation of Leslie Charteris’ series of novels, The Saint is a fairly lightweight and insubstantial international spy caper that comes off a bit like second-rate James Bond (an irony on multiple levels, as Ian Fleming’s James Bond novels were in part inspired by Charteris’ Saint novels, and the television series starred future 007 Roger Moore). The Saint is an enjoyable enough diversion, but doesn’t make much of an impression alongside higher-level spy thrillers. Continue reading
DNA (1997)
DIRECTOR: William Mesa
CAST: Mark Dacascos, Jurgen Prochnow, Robin McKee, Tom Taus
REVIEW:
DNA is the product of two special effects technicians—-director William Mesa and screenwriter Nick Davis—-who developed loftier filmmaking aspirations while seemingly lacking the talent (or originality) to chew what they’ve bitten off. DNA is a patchwork quilt shamelessly derivative of other, better movies (most blatantly but not limited to the 1987 Arnold Schwarzenegger sci-fi action flick Predator). Its producers Interlight Pictures——heard of them? Me neither—-rather hilariously oversold it as “Alien meets Indiana Jones”. That said, DNA is still a fun little diversion (if one can forgive it for practically plagiarizing swaths of Predator along with bits and pieces of other flicks along the way including Jurassic Park) with a humble 97 minute runtime that doesn’t overstay its modest welcome.
Continue reading