Calendar

November 2018
S M T W T F S
« Oct    
 123
45678910
11121314151617
18192021222324
252627282930  

Tag Cloud

The Girl in the Spider’s Web (2018)

DIRECTOR: Fede Alvarez

CAST: Claire Foy, Sverrir Gudnason, Sylvia Hoeks, LaKeith Stanfield, Stephen Merchant, Vicky Krieps

REVIEW:

WARNING: THIS REVIEW WILL REVEAL “SPOILERS”

“Generic” is not a word that should be used to describe Lisbeth Salander, but The Girl in the Spider’s Web brings her close.  An adaptation of the book, the latest installment in the so-called Millennium Series, continued by David Lagercrantz from where late crime journalist and author Stieg Larsson left off, and a soft reboot quasi-sequel to The Girl with the Dragon Tattoo, adapted to film both in Sweden (by Niels Arden Oplev and starring Noomi Rapace and the late Michael Nyqvist) and in an English-language remake (by David Fincher and starring Rooney Mara and Daniel Craig), The Girl in the Spider’s Web continues the series transition in Lagercrantz’s hands from dark, serious, slow burn murder/crime mystery into more straightforward action/spy thriller territory, sacrificing some depth and character along the way.  The result is a watchable and engaging action/spy thriller but arguably a poor Lisbeth Salander story. Continue reading

Bohemian Rhapsody (2018)

DIRECTOR: Bryan Singer

CAST: Rami Malek, Lucy Boynton, Gwilym Lee, Ben Hardy, Joseph Mazzello, Allen Leech, Tom Hollander, Aidan Gillen, Mike Myers, Aaron McCusker

REVIEW:

Bohemian Rhapsody, obviously taking its title from possibly the most iconic song of the band it chronicles, doesn’t transcend the genre of a standard-issue band biopic, but it’s a breezy and rousing love letter to Queen that rises above some narrative cliches and historical fudging with a committed lead performance by Rami Malek and electric concert sequences.  Queen neophytes might not be engaged, but Queen fans should enjoy themselves. Continue reading

Halloween (2018)

DIRECTOR: David Gordon Green

CAST: Jamie Lee Curtis, Judy Greer, Andi Matichak, Will Patton, Haluk Bilginer, Jefferson Hall, Rhian Rees

REVIEW:

As thoroughly played-out and past its expiration date as the long-running Halloween franchise might have seemed, the simply-titled Halloween has righted the ship and delivered at least the second best, if not strongest installment the series has ever produced, and the first to truly feel like a worthy direct sequel to the original film.  In truth, while the original 1978 film is held up as a horror classic, I’ve never had an exalted opinion of it; John Carpenter’s direction shows a skillful understanding of building suspense, but it’s hindered by various dated elements, including a low acting level.  Of the sequels, only 1981’s Halloween 2 and 1998’s Halloween H2O had their moments, with the rest descending into the bottom of the barrel until the indestructible Michael Myers became a parody of himself.  Director David Gordon Green, with Carpenter returning to co-compose the score (which liberally sprinkles in his iconic original theme) with his son Cody Carpenter and series newcomer Daniel Davies and serving in an advisory capacity to the production, has taken Halloween back to the basics, hearkening back to and emulating the original and going so far as to disregard every other film in the franchise and serve as a direct sequel to the original and the original alone (also allowing it to avoid the various eye-rolly explanations of how Myers survived his various demises through the sequels).  Taken as a one-two punch, the two Halloweens bring the Laurie Strode vs. Michael Myers battle full circle in satisfying, even climactically rousing fashion, and if this series can finally be left well enough alone (an unlikely prospect), this serves as a solid note to go out on. Continue reading

First Man (2018)

DIRECTOR: Damien Chazelle

CAST: Ryan Gosling, Claire Foy, Kyle Chandler, Jason Clarke, Corey Stoll, Ciaran Hinds, Lukas Haas, Shea Whigham, Cory Michael Smith, Patrick Fugit, Pablo Schreiber, Ethan Embry, Brian d’Arcy James

REVIEW:

First Man would make an excellent companion piece to other docudramas about the 1960s NASA space program, including 1995’s Apollo 13 (whose mission took place only nine months after the climax of this film) and 1983’s sprawling The Right Stuff, which some consider definitive (although it portrays an earlier phase of the space race than First Man and Apollo 13, meaning one could watch the three as a sort of loosely-connected trilogy).  The primary difference is that, while those films were ensemble casts giving a broader overview of the workings of NASA, both on Earth and in space, First Man is more tightly-focused on the professional and personal life of the first man on the moon, Neil Armstrong, offering an intimate look at a man who sometimes seemed as remote as the bleak, barren lunar surface. Continue reading

Bad Times at the El Royale (2018)

DIRECTOR: Drew Goddard

CAST: Jeff Bridges, Cynthia Erivo, Dakota Johnson, Jon Hamm, Lewis Pullman, Cailee Spaeny, Chris Hemsworth

REVIEW:

Bad Times at the El Royale has issues—sometimes overly self-indulgent in its own dark quirkiness and excessively Tarantino wannabe—but as an obvious homage to the kind of movie Quentin Tarantino might churn out, it serves up enough twists and turns combined with a dark sense of humor to keep the audience engaged and guessing through a slow burn pace.  Like Tarantino himself, it won’t be everyone’s cup of tea, but for those who enjoy this kind of movie, it’s an enjoyably dark and twisty ride. Continue reading

Venom (2018)

DIRECTOR: Ruben Fleischer

CAST: Tom Hardy, Michelle Williams, Riz Ahmed, Jenny Slate

REVIEW:

First things first: Venom is not an especially good movie.  Nor is it the mind-bogglingly horrendous epic trainwreck of “Plan 9 from Outer Space” proportions some have inflated its notoriety into.  What arrives onscreen doesn’t merit any such strong reactions, instead residing in that cluttered middle ground of “meh” occupied by other comic book movie titles like Green Lantern The concept was a questionable one to begin with: despite his origin story being inextricably linked to Spider-Man in the comics, Sony in its eternal infinite wisdom has decided to slap together a solo Venom movie which is not connected to the Marvel Cinematic Universe—or at least no connection is ever explicitly drawn—therefore existing in some netherworld of its own (though there’s still a Stan Lee cameo).  With its short length, dodgy CGI, and jokey tone, it feels like some throwback to the ’90s or early 2000s (there’s even an Eminem song over the end credits), the kind of comic book movie that might have been adequate in the days when there wasn’t much competition but feels outdated nowadays.  And for the character of Eddie Brock/Venom, last seen on the big screen in 2007’s likewise misbegotten Spider-Man 3 (where he was played by Topher Grace), Sony’s second attempt at bringing him to the screen is no more successful than the first.  To the extent that Venom works, it’s in its dark comedy aspect, not its terminally pedestrian and generic superhero (or anti-hero) narrative. Continue reading

The Predator (2018)

DIRECTOR: Shane Black

CAST: Boyd Holbrook, Olivia Munn, Sterling K. Brown, Trevante Rhodes, Jacob Tremblay, Thomas Jane, Keegan-Michael Key, Augusto Aguilera, Alfie Allen, Yvonne Strahovski, Jake Busey

REVIEW:

WARNING: THIS REVIEW WILL DISCUSS “SPOILERS”

Like the Alien franchise it has occasionally ill-advisedly crossed over with, Predator is one of those franchises that keeps limping along long past its expiration date.  One could argue that in fact Predator was never even much of a franchise to begin with.  1987’s original wasn’t any kind of great movie, and doesn’t hold up as a sci-fi thriller classic on the level of Alien or Aliens, but it featured Arnold Schwarzenegger at his most cigar-chomping and one-liner-spouting (“get to da choppa!”) front-and-center, surrounded by a merry band of macho men (with a cast including fellow future Governor Jesse Ventura, along with Carl “Apollo Creed” Weathers, Bill Duke, and Sonny Landham, it was sort of like a forerunner to The Expendables), and served up enough hardcore action with a sci-fi twist to be a popular “man’s movie” (the 1990 sequel, starring Danny Glover, wasn’t as good, although it had its moments).  After two crossovers dubbed Alien vs. Predator, the concept of which was dubious and the execution worse, Nimrod Antal and Robert Rodriguez tried to course correct by getting back to the basics with 2010’s Predators, which again had its moments but not enough to resurrect a “franchise” that arguably never warranted being stretched out into a film series in the first place.  And now, just when Predator seemed dead (again), along comes Shane Black (a cast member of the original movie but better-known as a screenwriter/director, including writing the Lethal Weapon series and directing such films as Iron Man 3, Kiss Kiss Bang Bang, and The Nice Guys).  Alas, Black’s involvement with the original film does not signal a return to that quality level.  The Predator falls into the same category as the likes of Independence Day: Resurgence and Alien: Resurrection, a sloppy, uninspired, past-its-sell-date sequel that fails to breathe any fresh life into a series that has long since run dry. Continue reading

Operation Finale (2018)

DIRECTOR: Chris Weitz

CAST: Oscar Isaac, Ben Kingsley, Melanie Laurent, Nick Kroll, Haley Lu Richardson, Michael Aronov, Joe Alwyn, Lior Raz, Torben Liebrecht, Greg Hill, Greta Scacchi, Peter Strauss, Russell Simon Beale

REVIEW:

Operation Finale is a well-crafted, sure-handed, engaging spy thriller chronicling in unvarnished docudrama fashion the (mostly) true story of the 1960 mission by agents of Mossad (Israeli secret service) to track down, apprehend, and extradite fugitive Nazi war criminal Adolf Eichmann from his hiding place in Argentina.  It’s not the first production about this subject (there is a 1996 TV movie, The Man Who Captured Eichmann, starring Arliss Howard as lead Mossad agent Peter Malkin and Robert Duvall as Eichmann), but it’s the most big-budget and the best quality.  It’s a good starting point for anyone unfamiliar with the story, and worth a watch for those who already are, even if it doesn’t really bring much new to the genre. Continue reading

The Meg (2018)

Image result for the megDIRECTOR: Jon Turtletaub

CAST: Jason Statham, Li Bingbing, Rainn Wilson, Cliff Curtis, Ruby Rose, Winston Chao, Robert Taylor, Jessica McNamee, Masi Oka, Page Kennedy, Ólafur Darri Ólafsson, Shuya Sophia Cai

REVIEW:

The Meg (based very loosely on the first novel in a book series by Steve Alten) is an example of a movie whose trailer is more entertaining than the movie itself.  The trailer doesn’t lead anyone to go in with Best Picture aspirations, but it suggests big, dumb, campy fun with a breezy tone.  In reality, while indeed cheesy, The Meg takes itself entirely too seriously and holds back the inherently silly premise rather than embracing the absurdity. Continue reading

Skyscraper (2018)

DIRECTOR: Rawson Marshall Thurber

CAST: Dwayne Johnson, Neve Campbell, McKenna Roberts, Noah Cottrell, Roland Moller, Chin Han, Hannah Quinlivan, Noah Taylor, Byron Mann, Elfina Luk, Pablo Schreiber

REVIEW:

Among the myriad lesser Die Hard knock-offs, Skyscraper falls somewhere in the middle, an adequately involving diversion in the moment that doesn’t leave a strong impression once all the stunts and pyrotechnics are over.  A mash-up of Die Hard and The Towering Inferno, it feels like something that would have been at home in the 1980s starring the likes of Arnold Schwarzenegger (whose career Dwayne Johnson often seems to be attempting to emulate) or Sylvester Stallone.  Continue reading

Archives

Categories

Bookmarks