Calendar

February 2018
S M T W T F S
« Jan    
 123
45678910
11121314151617
18192021222324
25262728  

Tag Cloud

Black Panther (2018)

DIRECTOR: Ryan Coogler

CAST: Chadwick Boseman, Michael B. Jordan, Lupita Nyong’o, Angela Bassett, Forest Whitaker, Danai Gurira, Letitia Wright, Daniel Kaluuya, Martin Freeman, Andy Serkis, Winston Duke, Sterling K. Brown

REVIEW:

For those suffering from conventional superhero movie fatigue, Black Panther is different enough to feel a little fresher, even if it ultimately adheres to basic superhero movie expectations.  Before agreeing to co-write and direct, Ryan Coogler (a “serious” director who previously helmed Fruitvale Station and Creed) ensured that he would be granted a considerable level of freedom and independence, and this might account for Black Panther feeling more like a unique entity unto itself and less cookie cutter than the likes of Spider-Man: HomecomingThe movie is also not overly concerned with reminding us it’s a part of the larger Marvel Cinematic Universe.  Apart from some thin connective tissue, Black Panther can stand on its own as one of the few recent Marvel outings that could be watched without much confusion by a casual viewer who hasn’t kept up with the entire interconnected MCU. Continue reading

The 15:17 to Paris (2018)

DIRECTOR: Clint Eastwood

CAST: Spencer Stone, Alec Skarlatos, Anthony Sadler

REVIEW:

I’ll get the obligatory disclaimer out of the way right up front: it goes without saying to any reasonable person that of course what Spencer Stone, Alec Skarlatos, and Anthony Sadler did on the 15:17 train to Paris in August 2015 is commendable.  That doesn’t mean it warrants a movie.  Or at least definitely not this movie.  Veteran actor-director Clint Eastwood, whose right-wing propagandistic Christian/American “rah rah” tendencies have increasingly permeated both his offscreen persona and his cinematic output in recent years, has churned out an amateurishly stilted, narratively meandering, and often frankly interminably boring misfired attempt at a tribute to the real-life heroes, counting not least among its various flaws the stunt casting of the (non-actor) heroes as themselves. Continue reading

Peter Rabbit (2018)

DIRECTOR: Will Gluck

CAST: Domhnall Gleeson, Rose Byrne, voices of James Corden, Colin Moody, Margot Robbie, Daisy Ridley, Elizabeth Debicki, David Wenham, Sia

REVIEW:

Devoted fans of Beatrix Potter’s gentle children’s stories will likely be appalled at how it’s been souped up with Home Alone-esque action, sometimes crude humor (though nothing that pushes the family friendly envelope very hard), and busy pop soundtrack, but Peter Rabbit keeps the action and comedy flying fast and furious enough that it will probably entertain small children while being at least passably enjoyable for the adults accompanying them.  It’s not the most high-brow family friendly entertainment to be found, but parents on the lookout for something to take their children to that’s not an endurance contest for themselves could do worse. Continue reading

12 Strong (2018)

DIRECTOR: Nicolai Fuglsig

CAST: Chris Hemsworth, Michael Shannon, Michael Pena, Trevante Rhodes, Navid Negahban, William Fichtner

REVIEW:

In some ways, 12 Strong is a bit of a throwback to war flicks of the ’50s and ’60s, rollicking adventures with more emphasis on creating a testosterone-fueled adrenaline rush than going into graphic details of the horrors of war (this slightly “old school” vibe is accentuated by the fact that our heroes spend much of the movie, including the climactic battle, on horseback).  To that end, it is strongly successful.  12 Strong doesn’t completely ignore or brush aside the grim realities of war, but it’s an action movie first and foremost and a substantially less downbeat experience than darker war films such as Platoon or Fury, and for fans of this kind of war flick, it represents an invigorating, solidly engaging couple of hours. Continue reading

The Post (2018)

DIRECTOR: Steven Spielberg

CAST: Meryl Streep, Tom Hanks

REVIEW:

The Post won’t appeal to everyone—it’s a predominantly dry, talky affair full of scenes of stressed-out people in smoky rooms and stacks of papers debating the course of action—-but for those who appreciate docudramas celebrating the triumph of investigative journalism over power, it’s a stirring spiritual brother to movies like All the President’s Men (to which it serves as a sort of direct prequel) and Spotlight.  In its portrayal of the free press versus an American President skirting the limits of his authority, The Post feels timely and relevant, and stresses the importance of an independent press.  The Supreme Court’s 1971 ruling that “the press exists to serve the governed, not the governors” is worth recalling today. Continue reading

Proud Mary (2018)

DIRECTOR: Babak Najafi

CAST: Taraji P. Henson, Jahi Di’Allo Winston, Billy Brown, Danny Glover, Xander Berkeley, Neal McDonough, Rade Sherbedgia

REVIEW:

One strongly suspects Proud Mary would have been straight-to-video fare if not for the presence of multi-Emmy and Oscar nominee Taraji P. Henson in the title role, and that’s where the quality level lies.  Proud Mary is an enjoyable enough diversion in the moment, but a generic and uninspired shoot-em-up that doesn’t offer anything memorable. Continue reading

Molly’s Game (2017)

DIRECTOR: Aaron Sorkin

CAST: Jessica Chastain, Idris Elba, Kevin Costner, Michael Cera, Jeremy Strong

REVIEW:

Molly’s Game, the directorial debut of Aaron Sorkin, the critically-acclaimed screenwriter of such films as The Social Network and Steve Jobs, tells the true story (with every name changed except the title character’s) of the so-called “Poker Princess” Molly Bloom (adapted from her own memoirs).  Those familiar with a Sorkin movie will recognize they’re in one straight from the get-go, with the restless pace and rat-a-tat-tat dialogue, but while with plenty of interesting scenes and solid performances, Mollys Game suffers from an overlong and overstuffed narrative structure and lacks the relentless taut intensity of Steve Jobs.  Sorkin fans may still find much to appreciate, but it’s not one of his strongest offerings. Continue reading

Star Wars Episode VIII: The Last Jedi (2017)

DIRECTOR: Rian Johnson

CAST: Daisy Ridley, Mark Hamill, Adam Driver, Carrie Fisher, John Boyega, Oscar Isaac, Domhnall Gleeson, Laura Dern, Benicio Del Toro, Kelly Marie Tran, Gwendoline Christie, Lupita Nyong’o, Andy Serkis

REVIEW:

SPOILER WARNING: I HAVE STRIVED TO NOT REVEAL EXPLICIT SPOILERS; HOWEVER IT IS DIFFICULT TO EXPRESS MY OPINION WITHOUT DISCUSSING SOME “SPOILER” PLOT ELEMENTS.

Picking up where J.J. Abrams left off with 2015’s The Force Awakens, writer-director Rian Johnson (Looper) has taken us back to a galaxy far, far away and chosen to subvert fan expectations and go in some unexpected directions, with mixed results.  Johnson doesn’t play it as safe as Abrams (who received some criticism for more-or-less remaking a tweaked version of A New Hope), but defying expectations in and of itself does not a satisfying narrative make.  The third act kicking into high gear does not entirely make up for a previous fragmented plot with flagging momentum.  The Last Jedi, while receiving general critical praise, is already proving divisive among fans.  It ultimately arrives at a (mostly) satisfying climax, but the path there is unwieldy and meandering. Continue reading

I, Tonya (2017)

DIRECTOR: Craig Gillespie

CAST: Margot Robbie, Sebastian Stan, Alison Janney, Paul Walter Hauser, Julianne Nicholson, Bobby Cannavale, McKenna Grace

REVIEW:

I, Tonya is not a straightforward docudrama of the infamous 1994 assault on figure skater Nancy Kerrigan that implicated her rival Tonya Harding, Harding’s husband Jeff Gilooly, and other associates.  Rather, director Craig Gillespie and screenwriter Steven Rogers have tackled the material as a dark comedy which in the third act has tinges of something the Coen brothers might have come up with (given the amount of criminal bumbling that takes place, that’s a not altogether inappropriate approach to take).  The movie takes its material from the sometimes completely contradictory interviews of Harding, Gilooly, and others, giving us multiple unreliable narrators, and also asks us to, if not necessarily condone or exonerate Harding, to come to at least some measure of understanding of what led up to the moment that, fairly or unfairly, would define her. Continue reading

The Greatest Showman (2017)

DIRECTOR: Michael Gracey

CAST: Hugh Jackman, Zac Efron, Michelle Williams, Zendaya, Rebecca Ferguson

REVIEW:

Big lavish musicals have been brought back into vogue by critically-acclaimed recent entries like Les Miserables and La La Land, and The Greatest Showman, more-or-less based on the life and career of P.T. Barnum (with a healthy helping of dramatic license) keeps the resurgent genre going strong.  Those who are not fans of musicals are unlikely to be converted, but for those who are, The Greatest Showman is lavish, lively, and joyous, filled with infectious, crowd-pleasing song-and-dance numbers, well-choreographed and elaborately-staged, with a timely (if historically questionable) theme of inclusivity and celebrating humanity in all forms.  If you’re a fan of this kind of big Hollywood musical, it represents a trip to the theater well worth taking. Continue reading

Archives

Categories

Bookmarks