DIRECTOR: Brett Leonard
CAST: Denzel Washington, Russell Crowe, Kelly Lynch, William Forsythe, William Fichtner, Louise Fletcher, Stephen Spinella, Kevin J. O’Connor
REVIEW:
Virtuosity, from director Brett Leonard (playing in virtual reality for the second time after 1992’s The Lawnmower Man) and screenwriter Eric Bernt, is another in the mid-90s fad of “high-tech” thrillers, following Sneakers and The Net, and like the latter Sandra Bullock vehicle, it fails to offer up anything very original or creative, using a “futuristic” premise for a cheesy thriller long on generic action sequences and bad action movie dialogue and deficient on intelligence or thrills.
Continue readingDIRECTOR: Jonathan Demme
CAST:
Tom Hanks, Denzel Washington, Antonio Banderas, Jason Robards, Joanne Woodward, Mary Steenburgen, Bradley Whitford, Charles Napier, Daniel von Bargen
REVIEW:
AIDS (Auto Immune Deficiency Syndrome) emerged as a major crisis in the early 80s but was largely ignored into the beginning of the 90s in the United States even though the US had more cases than any other nation. Educational programs were well underway in Europe, but US politicians gave it low priority, and President Ronald Reagan did not mention it in a speech until 1987. By that time there were 51,000 cases in 113 countries. Reagan’s administration resisted congressional efforts and the crusading of Surgeon General C. Everett Koop to increase funds for AIDS research and prevention. To many Americans, AIDS was a ‘gay disease’ and was not considered a subject for polite conversation due to its (exaggerated) association with homosexuality. Media treatment focused on the relatively few heterosexuals who had contracted the disease through blood transfusions. This partially changed in 1985, when archetypal Hollywood leading man Rock Hudson announced that he was gay and dying of AIDS. Hudson died in October of that year, leaving $250,000 to an AIDS research foundation, and while the revelation that a popular celebrity was infected prompted more coverage of the shamefully ignored plight of thousands of infected homosexuals, many Americans continued to inaccurately view AIDS as a disease which only pertained to homosexuals, who were largely viewed with indifference or even considered to deserve it. Despite its status as the worst epidemic of modern times, it was the subject of extraordinary ignorance and fear, with infected individuals ostracized and even attacked by others who believed incorrectly that you could contract it through casual contact. The epidemic peaked in 1993, the same year of a second step forward in AIDS awareness, director Jonathan Demme’s (The Silence of the Lambs) flawed but courageous and socially important drama Philadelphia. Continue reading