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American Revolution

Hamilton (2020)

DIRECTOR: Thomas Kail

CAST: Lin-Manuel Miranda, Leslie Odom Jr., Christopher Jackson, Phillipa Soo, Renée Elise Goldsberry, Daveed Diggs, Jonathan Groff

REVIEW:

Counting Hamilton as a “movie” is using the term loosely, rather a live film recording of the original run of the 2015 Broadway musical featuring its original cast, but while no filmed recording can fully recreate the immersive nature of seeing a show live, Hamilton‘s release on online streaming service Disney + (following Disney outbidding all competition to call dibs on the film rights) gives a chance for those who missed or could not afford the opportunity to buy Broadway tickets, or those who wish to revisit the play’s original run with its original cast, a chance to experience the phenomenon for themselves. A musical adaptation of Ron Chernow’s 2004 biography of American Founding Father Alexander Hamilton, with Broadway star Lin-Manuel Miranda composing the songs, writing the lyrics, and starring in the title role, Hamilton deserves its success and popularity. While non-musical fans might not be converted, for those to whom the medium appeals, it’s a lively, lavish, passionate production of the highest quality combining rap, pop, and showtunes to turn a biography into an engaging and energetic modernized history lesson that both educates and entertains.

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The Patriot (2000)

patriotDIRECTOR: Roland Emmerich

CAST: Mel Gibson, Heath Ledger, Jason Isaacs, Joely Richardson, Tcheky Karyo, Chris Cooper, Tom Wilkinson, Lisa Brenner, Rene Auberjonois, Adam Baldwin, Gregory Smith

REVIEW:

With The Patriot, one gets the feeling screenwriter Robert Rodat was trying to do for the American Revolution what he previously did for WWII with Saving Private Ryan.  To an extent, he deserves credit, as The Patriot is, oddly enough, virtually the only big-budget Hollywood film portraying the Revolutionary War.  Alas, the man in the director’s chair here is not Steven Spielberg, but Roland Emmerich, he who leaves no cliche unused.  The Patriot is a marked improvement over its immediate predecessor on Emmerich’s filmography, 1998’s Godzilla bastardization, but features too many “a film by Roland Emmerich” hallmarks to be the true great war epic it clearly fancies itself. Continue reading

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