DIRECTOR: Marc Rocco
CAST:
Christian Slater, Kevin Bacon, Gary Oldman, Embeth Davidtz, William H. Macy, R. Lee Ermey, Stephen Tobolowsky, Brad Dourif, Kyra Sedgwick, Mia Kirshner
REVIEW:
Murder in the First is a serviceable, if generic, courtroom drama with one exceptional performance and a couple harrowingly effective sequences. Unfortunately, it’s also a film that makes a virtual lie of its ‘based on true events’ tagline and docudrama style from beginning to end. If you’re looking for a movie to stoke the flames of righteous indignation at prison system injustice, Murder in the First may get your juices flowing, but keep in mind to take everything you see and hear with a very large grain of salt.

DIRECTOR: Gillian Armstrong
CAST: Winona Ryder, Claire Danes, Trini Alvarado, Kirsten Dunst, Samantha Mathis, Christian Bale, Gabriel Byrne, Eric Stoltz, Susan Sarandon
REVIEW:
Little Women is both an unabashedly “feel good” family film and what could be considered a “chick flick”, but the latest onscreen rendition of Louisa May Alcott’s 1868 novel is a handsome and enjoyable production that goes down easily with simple charms bolstered by strong production values and a capable cast. As “girl movies” go, it’s of sufficient quality level that it can be enjoyed by viewers of both genders.
Continue readingCAST: Jean Reno, Gary Oldman, Natalie Portman, Danny Aiello
REVIEW:
From French director Luc Besson (La Femme Nikita) comes this distinctly European-flavored action thriller that boasts some kinetic action sequences but has at its core an unlikely relationship between a lonely hitman and a young girl. Continue reading

DIRECTOR: Frank Darabont
CAST: Tim Robbins, Morgan Freeman, Bob Gunton, Clancy Brown, Gil Bellows, James Whitmore, William Sadler, Mark Rolston
REVIEW:
Among the film adaptations of Stephen King’s written work, pickings are slim for cinematic quality. Apart from The Shining (which King himself disliked), Stand By Me, and Misery, most of the rest runs the gamut from mediocre to bottom of the barrel. The Shawshank Redemption, a product of first-time director Frank Darabont in an impressive debut and Castle Rock Pictures—the company of producer Rob Reiner, who directed Stand By Me and Misery—and an adaptation of King’s novella Rita Hayworth and the Shawshank Redemption, is a notable exception. In fact, The Shawshank Redemption is not only possibly the best film adaptation of a Stephen King work, it’s a great film period, telling a powerful and compelling story that involves wrongful imprisonment, prison abuse and corruption, but despite its grim subject matter ultimately manages to be both uplifting and cathartic.
Continue readingDIRECTOR: Joel Schumacher
CAST:
Brad Renfro, Susan Sarandon, Tommy Lee Jones, Mary-Louise Parker, Anthony LaPaglia, Ossie Davis, J.T. Walsh, Bradley Whitford, Anthony Heald, William Sanderson, Kim Coates, Will Patton, Anthony Edwards, Micole Mercurio, William H. Macy, Ron Dean, Walter Olkewicz, David Speck
REVIEW:
The Client is a slickly-crafted thriller that is almost- but not quite- saved from its own accelerating plot unlikelihoods by a competent production and capable performances. Continue reading

DIRECTOR: James Cameron
CAST: Arnold Schwarzenegger, Jamie Lee Curtis, Tom Arnold, Bill Paxton, Art Malik, Tia Carrere, Grant Heslov, Charlton Heston
REVIEW:
True Lies, the third collaboration between James Cameron and Arnold Schwarzenegger, continues to showcase Cameron as a skillful filmmaker, but this time he’s done something a little different, blending grandiose action with comedy without feeling tonally schizophrenic. The injection of a high comedy quotient means True Lies‘ over-the-top action sequences don’t reach the edge-of-your seat tension of some in both Terminator installments, but it’s still a rollicking good time that both serves up plenty of action and makes us laugh.
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DIRECTOR: Roger Allers, Rob Minkoff
CAST:
(voices) James Earl Jones, Jeremy Irons, Matthew Broderick, Jonathan Taylor Thomas, Moira Kelly, Nathan Lane, Ernie Sabella, Robert Guillaume, Rowan Atkinson, Whoopi Goldberg, Cheech Marin, Jim Cummings, Madge Sinclair
REVIEW:
It’s no surprise that The Lion King is widely-regarded as the “king” of Disney animated films. While the staples of Disney classics are in place- lighthearted and elaborately animated song-and-dance numbers and comic relief sidekicks- there is a surprisingly somber, at times even tragic underpinning and an epic feel that sets it apart from the likes of Aladdin or 101 Dalmations. In fact, the story was (very loosely) inspired by the Shakespearean tragedy Hamlet, and while rewatching it in 2011 with my previous viewing many years in the past, while there are plenty of typical “kids’ movie” segments, there are other aspects, including the Hamlet references (which are more noticeable to adult eyes) that speak more to older viewers. Continue reading
CAST: Mel Gibson, Jodie Foster, James Garner, Alfred Molina, James Coburn, Graham Greene
REVIEW:
Maverick represents just about the perfect kind of breezy, enjoyable summer entertainment for those seeking a light diversion, both paying homage to and at times parodying the classic Western, moving smoothly between action, comedy, and a little romance, and featuring engaging performances from charismatic actors. There might not be anything deep or substantial here, but for those just seeking some fun, Maverick plays with a full deck. Continue reading
CAST: Gerard Depardieu, Katherine Heigl, Dalton James, Faith Prince, Lauren Hutton, Stephen Tobolowsky, Emma Thompson
REVIEW:
My Father, the Hero is an English-language remake of a 1991 French comedy Mon père, ce héros (“My Father, The Hero”), even recasting Gerard Depardieu in the titular role, though surrounded with an American cast. I can’t comment on the original, but My Father, The Hero is a forgettable piece of fluff with a few mildly amusing moments but never rising above the level of the television sitcom it often feels like. Continue reading

DIRECTOR: Richard Attenborough
CAST: Anthony Hopkins, Debra Winger, Joseph Mazzello, Edward Hardwicke, John Wood, James Frain
REVIEW:
Richard Attenborough’s Shadowlands, telling the true story of the romance between British author C.S. Lewis (best-known for his Chronicles of Narnia series) and American poet Joy Gresham between their meeting in 1952 and her death from cancer in 1960, is a stately, sedate, but tenderly heartfelt British period drama (steeped in oh-so-British reserve) that will surely strike some as too dry and slow to get into, but anchored by a quietly powerful performance by Anthony Hopkins and a restrained study in the gamut of emotions from joy to grief, may have much to offer for fans of these kinds of low-key serious dramas.
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