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heist movie

Baby Driver (2017)

DIRECTOR: Edgar Wright

CAST: Ansel Elgort, Lily James, Kevin Spacey, Jamie Foxx, Jon Hamm, Eiza Gonzalez, Jon Bernthal

REVIEW:

After all the higher-profile, more anticipated movies that have all, to greater or lesser degrees, felt underwhelming and failed to meet their hype (for my $.02, at least), it’s a simple, straightforward action flick that completely succeeds at what it sets out to do.  While their two plots don’t have much in common besides featuring some street chases, Baby Driver might appeal to those who enjoy the likes of Premium Rush; it’s nothing deep or complicated, but it provides a couple hours of breezy, fast-paced escapism and is an eminently engaging and satisfying entry for those seeking some straight-up action with dashes of humor and romance (and a busy soundtrack) thrown into the mix. Continue reading

Now You See Me (2013)

Now-You-See-Me-2013-DIRECTOR: Louis Letterier

CAST: Jesse Eisenberg, Woody Harrelson, Mark Ruffalo, Isla Fisher, Dave Franco, Melanie Laurent, Morgan Freeman, Michael Caine, Common

REVIEW:

Now You See Me is a fast-paced, whizz-bang caper that, like its magician characters, misdirects from some flimsy plot holes with quick-moving panache.  It’s not terribly deep or substantial, but it serves up two hours of compulsive entertainment and a few twists and turns along the way. Fans of the likes of Ocean’s Eleven might find Now You See Me to their liking. Continue reading

Sneakers (1992)

DIRECTOR: Phil Alden Robinson

CAST: Robert Redford, Sidney Poitier, Dan Aykroyd, Mary McDonnell, David Strathairn, River Phoenix, Ben Kingsley, Timothy Busfield, Eddie Jones, Donal Logue, Stephen Tobolowsky

REVIEW:

Sneakers, coming out at a time when the pervasive technology at the center of its plot was only beginning to take off toward its virtually limitless full potential, is a bit like a forerunner of heist movies like Ocean’s Eleven.  Coming out in 1992, Sneakers is fairly low-tech by today’s standards, but it has a bit in common with Ocean’s Eleven in its offbeat ensemble team and a generally cheerful tone that, even when some scenes turn more serious, permeates the movie with the feeling that, more than anything else, this was made to be fun by people who had fun making it.  Continue reading

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