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Monthly Archives: November 2019

Doctor Sleep (2019)

DIRECTOR: Mike Flanagan

CAST: Ewan McGregor, Kyliegh Curran, Rebecca Ferguson, Cliff Curtis

REVIEW:

Thirty-six years after publishing The Shining, Stephen King published a follow-up, Doctor Sleep, further expanding on themes and concepts he had introduced in the first novel through the life of now-adult Danny Torrance. For Warner Bros., the allure of making a sequel (of sorts) to The Shining (adapted to film by Stanley Kubrick in 1980) was too much to resist, but screenwriter-director Mike Flanagan had a tricky task ahead of him, both adapting one of King’s dense, complicated, thematically rich works, and attempting to bridge a long-standing divide: being both reasonably faithful to King’s book while also doing some tweaking to serve as a more direct sequel to Kubrick’s film, which differed from the book in some significant ways (and which King famously disliked). Flanagan has mostly succeeded. While a little overlong and drawn-out, Doctor Sleep largely stands on its own (apart from the climax), telling a very different kind of story from The Shining but serving up some of the same slow burn. Perhaps most welcome, it serves up complicated concepts rather than a lazy reliance on jump scares and conventional horror tropes. In fact, it’s more a drama/thriller than a horror movie, which might disappoint some viewers attracted by its connections to The Shining.

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Terminator: Dark Fate (2019)

DIRECTOR: Tim Miller

CAST: Arnold Schwarzenegger, Linda Hamilton, Mackenzie Davis, Natalia Reyes, Gabriel Luna

REVIEW:

And now in the latest of far too many examples of Hollywood’s dearth of original ideas, the long-running—and long-suffering—Terminator franchise once again proves itself even harder to kill than its titular killer cyborgs, despite the fact that it passed its sell-by date quite a while ago (for my money, all the way back in 1991). While Dark Fate‘s promotion made much ta-do out of the “return” of James Cameron (who gets a producer and co-writer credit but did not retake the director’s chair, which is occupied by Deadpool‘s Tim Miller, leaving it questionable how much direct involvement Cameron really had) and Linda Hamilton (who hasn’t taken part in the franchise since 1991’s Judgment Day, turned down a chance to reprise her role in 2003’s Rise of the Machines, and should have turned this one down too), neither Cameron nor his ex-wife’s names in the credits signals a return to the quality of the first two installments, which slipped after Cameron moved on and has never been regained. Dark Fate ignores the existence of every entry since T2 and acts as a direct sequel to the first two and the first two alone—which many fans would likely have been okay with—but alas it doesn’t replace them with anything superior. It’s probably better than its immediate predecessor Genisys (no great accomplishment), but finds its own new ways of dumping on the series mythos.

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