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sequel

Fantastic Beasts: The Crimes of Grindelwald (2018)

DIRECTOR: David Yates

CAST: Eddie Redmayne, Katherine Waterston, Alison Sudol, Dan Fogler, Ezra Miller, Zoe Kravitz, Jude Law, Johnny Depp

REVIEW:

In my review of 2016’s Fantastic Beasts and Where to Find Them, I said that it was an enjoyable stand-alone adventure, but that its status as a franchise-launcher was in doubt.  Unfortunately, Fantastic Beasts: The Crimes of Grindelwald has no allayed those concerns.  An overstuffed mess as unwieldy as its title, this is as good an example of any as a “middle chapter” that suffers from obsessing over set-up and moving all the pieces into position on the chessboard to the detriment of actually telling much of a story.  There’s also unfortunately a little of “George Lucas Star Wars Prequel Syndrome” creeping into J.K. Rowling’s screenwriting, as well as falling prey to the overindulgent excesses of when Peter Jackson returned to the Middle Earth trough with his laboriously expanded and drawn-out Hobbit “trilogy”.  It’s possible that when all is said and done (there are supposedly still three more films to go in this Harry Potter spin-off series), The Crimes of Grindelwald may be perceived more favorably in hindsight, but as things stand now, the idea of three more movies of this feels more laborious than exciting. Continue reading

The Girl in the Spider’s Web (2018)

DIRECTOR: Fede Alvarez

CAST: Claire Foy, Sverrir Gudnason, Sylvia Hoeks, LaKeith Stanfield, Stephen Merchant, Vicky Krieps

REVIEW:

WARNING: THIS REVIEW WILL REVEAL “SPOILERS”

“Generic” is not a word that should be used to describe Lisbeth Salander, but The Girl in the Spider’s Web brings her close.  An adaptation of the book, the latest installment in the so-called Millennium Series, continued by David Lagercrantz from where late crime journalist and author Stieg Larsson left off, and a soft reboot quasi-sequel to The Girl with the Dragon Tattoo, adapted to film both in Sweden (by Niels Arden Oplev and starring Noomi Rapace and the late Michael Nyqvist) and in an English-language remake (by David Fincher and starring Rooney Mara and Daniel Craig), The Girl in the Spider’s Web continues the series transition in Lagercrantz’s hands from dark, serious, slow burn murder/crime mystery into more straightforward action/spy thriller territory, sacrificing some depth and character along the way.  The result is a watchable and engaging action/spy thriller but arguably a poor Lisbeth Salander story. Continue reading

Halloween (2018)

DIRECTOR: David Gordon Green

CAST: Jamie Lee Curtis, Judy Greer, Andi Matichak, Will Patton, Haluk Bilginer, Jefferson Hall, Rhian Rees

REVIEW:

As thoroughly played-out and past its expiration date as the long-running Halloween franchise might have seemed, the simply-titled Halloween has righted the ship and delivered at least the second best, if not strongest installment the series has ever produced, and the first to truly feel like a worthy direct sequel to the original film.  In truth, while the original 1978 film is held up as a horror classic, I’ve never had an exalted opinion of it; John Carpenter’s direction shows a skillful understanding of building suspense, but it’s hindered by various dated elements, including a low acting level.  Of the sequels, only 1981’s Halloween 2 and 1998’s Halloween H2O had their moments, with the rest descending into the bottom of the barrel until the indestructible Michael Myers became a parody of himself.  Director David Gordon Green, with Carpenter returning to co-compose the score (which liberally sprinkles in his iconic original theme) with his son Cody Carpenter and series newcomer Daniel Davies and serving in an advisory capacity to the production, has taken Halloween back to the basics, hearkening back to and emulating the original and going so far as to disregard every other film in the franchise and serve as a direct sequel to the original and the original alone (also allowing it to avoid the various eye-rolly explanations of how Myers survived his various demises through the sequels).  Taken as a one-two punch, the two Halloweens bring the Laurie Strode vs. Michael Myers battle full circle in satisfying, even climactically rousing fashion, and if this series can finally be left well enough alone (an unlikely prospect), this serves as a solid note to go out on. Continue reading

The Predator (2018)

DIRECTOR: Shane Black

CAST: Boyd Holbrook, Olivia Munn, Sterling K. Brown, Trevante Rhodes, Jacob Tremblay, Thomas Jane, Keegan-Michael Key, Augusto Aguilera, Alfie Allen, Yvonne Strahovski, Jake Busey

REVIEW:

WARNING: THIS REVIEW WILL DISCUSS “SPOILERS”

Like the Alien franchise it has occasionally ill-advisedly crossed over with, Predator is one of those franchises that keeps limping along long past its expiration date.  One could argue that in fact Predator was never even much of a franchise to begin with.  1987’s original wasn’t any kind of great movie, and doesn’t hold up as a sci-fi thriller classic on the level of Alien or Aliens, but it featured Arnold Schwarzenegger at his most cigar-chomping and one-liner-spouting (“get to da choppa!”) front-and-center, surrounded by a merry band of macho men (with a cast including fellow future Governor Jesse Ventura, along with Carl “Apollo Creed” Weathers, Bill Duke, and Sonny Landham, it was sort of like a forerunner to The Expendables), and served up enough hardcore action with a sci-fi twist to be a popular “man’s movie” (the 1990 sequel, starring Danny Glover, wasn’t as good, although it had its moments).  After two crossovers dubbed Alien vs. Predator, the concept of which was dubious and the execution worse, Nimrod Antal and Robert Rodriguez tried to course correct by getting back to the basics with 2010’s Predators, which again had its moments but not enough to resurrect a “franchise” that arguably never warranted being stretched out into a film series in the first place.  And now, just when Predator seemed dead (again), along comes Shane Black (a cast member of the original movie but better-known as a screenwriter/director, including writing the Lethal Weapon series and directing such films as Iron Man 3, Kiss Kiss Bang Bang, and The Nice Guys).  Alas, Black’s involvement with the original film does not signal a return to that quality level.  The Predator falls into the same category as the likes of Independence Day: Resurgence and Alien: Resurrection, a sloppy, uninspired, past-its-sell-date sequel that fails to breathe any fresh life into a series that has long since run dry. Continue reading

Ant-Man and the Wasp (2018)

DIRECTOR: Peyton Reed

CAST: Paul Rudd, Evangeline Lilly, Michael Douglas, Michael Pena, Hannah John-Kamen, Walton Goggins, Laurence Fishburne, Michelle Pfeiffer, Randall Park, T.I., David Dastmalchian, Judy Greer, Bobby Cannavale, Abby Ryder Fortson

REVIEW:

After the grim finale of The Avengers: Infinity War, Ant-Man and the Wasp could be viewed as a sort of palette cleanser.  The follow-up to 2015’s Ant-Man maintains the same lightweight insubstantial tone, served up with more nifty visuals and one of the highest humor quotients of any MCU movie.  The result is nowhere near among the MCU’s stronger offerings but is an enjoyable enough diversion, especially for those seeking something a little lighter staggering shell-shocked out of the theater after Infinity War. Continue reading

Jurassic World: Fallen Kingdom (2018)

DIRECTOR: J.A. Bayona

CAST: Chris Pratt, Bryce Dallas Howard, Rafe Spall, Daniella Penada, Justice Smith, Isabella Sermon, Ted Levine, Toby Jones, B.D. Wong, James Cromwell, Geraldine Chaplin, Jeff Goldblum

REVIEW:

Fallen Kingdom, the second installment in the Jurassic Park “reboot” rebranded as Jurassic World (or fifth in the overall franchise) proves it’s still possible to inject a little rejuvenating freshness into a concept—people running around menaced by dinosaurs—that had seemed milked to the last drop.  While 2015’s Jurassic World (despite being a big enough box office smash to greenlight sequels) was overly bogged down in nostalgic callbacks and recycled material, Fallen Kingdom goes in some refreshingly different directions, including fulfilling my biggest wish list for a sequel: get off the damn island already. Continue reading

Ocean’s Eight (2018)

DIRECTOR: Gary Ross

CAST: Sandra Bullock, Cate Blanchett, Anne Hathaway, Helena Bonham Carter, Sarah Paulson, Rihanna, Awkwafina, Mindy Kaling, Richard Armitage, James Corden

REVIEW:

2001’s Ocean’s Eleven was a slight but breezy and enjoyable heist caper.  Its two superfluous sequels were aimless, self-indulgent add-ons that felt more like thin excuses for the star-studded cast to get back together and have some more fun.  And now, as if the “brand name” has not been milked to death, here comes a paper-thin indirect “sequel” of sorts.  Ocean’s Eight is a generic and uninspired heist caper that’s never more than mildly entertaining and doesn’t offer anything fresh besides its all-female cast. Continue reading

Deadpool 2 (2018)

DIRECTOR: David Leitch

CAST: Ryan Reynolds, Josh Brolin, Zazie Beetz, Morena Baccarin, Brianna Hildebrand, T.J. Miller, Stefan Kapicic, Julian Dennison, Terry Crews, Bill Skarsgard, Karan Soni, Shiori Kutsuna, Leslie Uggams, Rob Delaney, Eddie Marsan

REVIEW:

2016’s Deadpool was such a blast of kinetic, wildly irreverent R-rated fun that it was both inevitable that a sequel would be made, and that the same freshness level was unlikely to be recaptured.  True to expectations, Deadpool 2 serves up more of the same serviceably enough to be a fun, if overlong, time, but without quite the same pizzazz.  Even so, fans of The Merc With the Mouth are likely to enjoy his second big screen romp, if perhaps not quite as much as they did in 2016. Continue reading

The Avengers: Infinity War (2018)

DIRECTOR: Anthony Russo & Joe Russo

CAST: Robert Downey Jr., Chris Hemsworth, Chris Evans, Mark Ruffalo, Scarlett Johansson, Chris Pratt, Benedict Cumberbatch, Chadwick Boseman, Tom Holland, Elizabeth Olsen, Paul Bettany, Zoe Saldana, Karen Gillan, Josh Brolin, Sebastian Stan, Benedict Wong, Dave Bautista, Anthony Mackie, Don Cheadle, Pom Klementieff, Danai Gurira, Tom Hiddleston, Idris Elba, Winston Duke, Letitia Wright, Benicio Del Toro, Gwyneth Paltrow, William Hurt, Peter Dinklage, Bradley Cooper (voice), Vin Diesel (voice)

REVIEW:

After a decade’s worth of movies (starting with 2008’s Iron Man which kicked off the Marvel Cinematic Universe), we’re finally coming to the long-gestating endgame which will purportedly serve as the end of an era at least for some of the MCU’s crowded cast of characters, but while continuing Marvel’s pattern of trying to outdo itself with each consecutive all-star team-up offering by throwing the kitchen sink and an ever bigger cast of characters at the screen in ever more outsized ways, the long-hyped Infinity War feels like half a movie.  This might be an inevitability given this “endgame” will be concluded in the as-yet-untitled Avengers 4 still twelve months away, but it leaves a feeling that’s a little hollow, flashy spectacle, splashy special effects, and battles large and small everywhere you look, but lacking a certain impact. Continue reading

Pacific Rim: Uprising (2018)

DIRECTOR: Steven S. DeKnight

CAST: John Boyega, Scott Eastwood, Cailee Spaeny, Charlie Day, Burn Gorman, Tian Jing, Rinko Kikuchi

REVIEW:

Among superfluous sequels slapped-together because the original was deemed to make sufficient profits (2013’s Pacific Rim did not do that well in the US, but was big in China, which persuaded Universal and Chinese-owned Legendary Pictures to cough up the money for a second installment), Pacific Rim: Uprising is at least a fresher and more enjoyable experience than the tired, low energy likes of Independence Day: Resurgence or London Has Fallen.  The first Pacific Rim was not a great movie, but Guillermo Del Toro crafted it as an obvious passion project and a love letter to both the anime and kaiju—Japanese monster movie—genres (probably why it was more popular in Asia than the United States), and served up a smorgasbord of geeky fun for those who simply delighted in the big-budget, splashy special effects-filled spectacle of giant monsters duking it out with giant robots.  Like many sequels, Uprising tries to serve up bigger—the climactic battle royale pits four Jaeger robots against a supersized kaiju—but serves up enough of more of the same to entertain fans of what the first had to offer.  If you’re the audience for this, you probably know who you are by now. Continue reading

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