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Charlize Theron

Atomic Blonde (2017)

DIRECTOR: David Leitch

CAST: Charlize Theron, James McAvoy, Sofia Boutella, John Goodman, Toby Jones, Eddie Marsan, Til Schweiger, Bill Skarsgard, Roland Moller

REVIEW:

Atomic Blonde plays out like a blend of the convoluted, labyrinthine Cold War intrigue of a John Le Carre novel with the kinetic action of a Jason Bourne movie, but the level of style and panache director David Leitch brings to the material, and the entertainment level of Charlize Theron kicking ass and looking stylish while doing it can’t quite make up for a murky, muddled plotline that’s difficult to follow. Continue reading

Mad Max: Fury Road (2015)

vehiclesDIRECTOR: George Miller

CAST: Tom Hardy, Charlize Theron, Nicholas Hoult, Hugh Keays-Byrne, Riley Keough, Rosie Huntington-Whiteley, Zoe Kravitz, Abbey Lee, Courtney Eaton

REVIEW:

In 1979, an Australian doctor-turned-director named George Miller made a low-budget movie called Mad Max that went on to make a star out of a then-unknown Mel Gibson and virtually launch the post-apocalyptic film genre, as well as serve as inspiration for any number of post-apocalyptic and road chase movies in the decades since.  Miller followed up with 1981’s The Road Warrior and 1985’s Mad Max: Beyond Thunderdome.   In the interim, he directed such far more family-friendly fare as Babe and Happy Feet, but Mad Max was always his baby.  During the hiatus, Miller tried various times starting in 1998 to make the film which would eventually become Fury Road, but after several mis-starts, star Mel Gibson dropped out in 2003, feeling he was too old for the part but giving Miller his blessing to forge ahead without him.  In 2009, after several Australian actors (including the late Heath Ledger) unsuccessfully pursued or were considered for the title role, British actor Tom Hardy, at the time still a virtual unknown on this side of the Atlantic, officially stepped into Max’s boots.  Filming commenced in November 2011 but was forced to move from the Australian Outback (the filming location of every previous installment) when unexpected heavy rains transformed the desert into lush fields of wildflowers inappropriate for the look of the movie, relocating instead to Africa’s Namib Desert.  And now, after an arduous shoot and lengthy post-production, Fury Road has finally brought the long-dormant action franchise roaring back onto the big screen.  For many, the thirty-year gap between Beyond Thunderdome and Fury Road will be worth the wait.  By Miller’s own admission, this is the movie he would have made all along if he’d been able, and it is clear that this long-gestating project has been a labor of love.  Armed with a budget he could once only have dreamed of (reportedly approximately $150 million), Miller has given us a new adventure that is recognizably a Mad Max movie but also does its own thing.  Mad Max has returned with a bang. Continue reading

Prometheus (2012)

DIRECTOR: Ridley Scott

CAST:

Noomi Rapace, Michael Fassbender, Charlize Theron, Idris Elba, Guy Pearce, Logan Marshall-Green, Rafe Spall, Sean Harris, Benedict Wong, Patrick Wilson

REVIEW:

WARNING: THIS REVIEW WILL MENTION SPECIFIC ASPECTS OF THE FILM’S PLOT

One’s appreciation of Prometheus might be heavily-influenced by what one goes in expecting.  Despite Ridley Scott’s attempts to downplay Prometheus‘ description as a prequel to his 1979 sci-fi horror classic Alien and have it viewed as a stand-alone story, many were disappointed by its loose connections and markedly different aims to its predecessor.  While it does contain elements of horror, Prometheus is less single-minded in its intentions than Alien and has far broader themes it’s trying to tackle.  Chief among Prometheus‘ flaws is that it bites off more than it can chew, but it’s still an intriguing sci-fi entry for those not expecting too much xenomorph action. Continue reading

Snow White and the Huntsman (2012)

DIRECTOR: Rupert Sanders

CAST:

Kristen Stewart, Charlize Theron, Chris Hemsworth, Sam Claflin, Sam Spruell, Bob Hoskins, Ian McShane, Ray Winstone, Toby Jones, Eddie Marsan

REVIEW:

What one makes of Snow White and the Huntsman might hinge a lot on expectations.  Don’t be fooled by it sharing a title character with the Disney cartoon; this is not a movie for small children.  In fact, it might have more to offer for fans of The Lord of the Rings or Game of Thrones than those longing for dwarves singing “HI HO, HI HO”.  The dark fantasy tone and some visual aspects (and even occasional scenes) bring to mind The Neverending Story and especially Willow as probably its closest cinematic cousins.  Continue reading

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