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Anne Hathaway

Ocean’s Eight (2018)

DIRECTOR: Gary Ross

CAST: Sandra Bullock, Cate Blanchett, Anne Hathaway, Helena Bonham Carter, Sarah Paulson, Rihanna, Awkwafina, Mindy Kaling, Richard Armitage, James Corden

REVIEW:

2001’s Ocean’s Eleven was a slight but breezy and enjoyable heist caper.  Its two superfluous sequels were aimless, self-indulgent add-ons that felt more like thin excuses for the star-studded cast to get back together and have some more fun.  And now, as if the “brand name” has not been milked to death, here comes a paper-thin indirect “sequel” of sorts.  Ocean’s Eight is a generic and uninspired heist caper that’s never more than mildly entertaining and doesn’t offer anything fresh besides its all-female cast. Continue reading

Interstellar (2014)

interstellarDIRECTOR: Christopher Nolan

CAST: Matthew McConaughey, Anne Hathaway, Jessica Chastain, Michael Caine, Casey Affleck, Matt Damon, Wes Bentley, David Gyasi, Topher Grace, John Lithgow, Mackenzie Foy, Ellen Burstyn, David Oyelowo, Bill Irwin (voice)

REVIEW:

WARNING: THIS REVIEW WILL REVEAL ASPECTS OF THE FILM’S PLOT

Christopher Nolan has never shied away from a challenge or been content with generic, and Interstellar is his most ambitious project yet, surpassing his resurrection of the Batman film franchise and the mind-bending contortions of Inception to combine powerful human drama with a rigorous attempt at making a “hard” science fiction film that takes a serious examination of the rules and physics involved in a way Hollywood seldom attempts.  If Nolan’s reach sometimes exceeds his grasp, the passion and grandeur he has thrown into this project makes comparatively minor flaws forgivable.  Interstellar is not a perfect motion picture–far from it, in fact–but it is by turns hopeful and heartbreaking, simultaneously paying tribute to the spirit of exploration and the cold, silent, deadly realities of space. Continue reading

Les Misérables (2012)

DIRECTOR: Tom Hooper

CAST:

Hugh Jackman, Russell Crowe, Anne Hathaway, Amanda Seyfried, Eddie Redmayne, Samantha Barks, Sacha Baron Cohen, Helena Bonham Carter

REVIEW:

WARNING: THIS REVIEW MAY CONTAIN “SPOILERS”

Based on the phenomenally popular, long-running musical stage production which debuted in 1985, which itself was based on Victor Hugo’s 1862 novel, this musical big screen adaptation of arguably the greatest French novel was a long time coming. Continue reading

The Dark Knight Rises (2012)

DIRECTOR: Christopher Nolan

CAST:

Christian Bale, Michael Caine, Gary Oldman, Anne Hathaway, Tom Hardy, Joseph Gordon-Levitt, Marion Cotillard, Morgan Freeman

REVIEW:

WARNING: WHILE I HAVE ASPIRED TO AVOID OUTRIGHT “SPOILERS”, THIS REVIEW WILL MENTION SPECIFIC ASPECTS OF THE FILM’S PLOT

Along with Joss Whedon’s The Avengers earlier this summer, Christopher Nolan’s Batman trilogy has redefined the possibilities of what to expect from a “comic book superhero movie” and raised the bar to a level that future entries in the genre will be hard-pressed to equal, let alone surpass.  While The Avengers served up grand spectacle on an unprecedented scale, Nolan’s Batman films went the more thoughtful, introspective, and in many ways, more groundbreaking approach, defying the expectations and supposed constraints of the genre, approaching the material as deep, dark, serious drama, and making the likes of Spider-Man look fluffy and insubstantial in comparison.  Batman Begins was a respectable launching pad.  The Dark Knight soared above and beyond, seizing the title of, for my money and the money of many others, the most dark, ambitious, and adult-oriented comic book superhero movie ever made, and now Nolan has chosen to cap off his series with a climactic chapter, perhaps the first time a director in a superhero series has chosen of his own accord to conclude his story (as opposed to Sam Raimi’s Spider-Man and Bryan Singer and Brett Ratner’s X-Men, who were robbed of intended fourth installments by the disappointing receptions of their third entries).  While in my opinion The Dark Knight remains unseated as the most impressive of Nolan’s Batman films, The Dark Knight Rises brings this solid trilogy to a respectable conclusion. Continue reading

Brokeback Mountain (2005)


DIRECTOR: 
Ang Lee

CAST: Heath Ledger, Jake Gyllenhaal, Michelle Williams, Anne Hathaway, Randy Quaid

REVIEW:

While the comparison might not occur to everyone, Brokeback Mountain (adapted from a 1997 short story of the same name by Annie Proulx, with the movie screenplay written by Diana Ossana and Larry McMurtry) is a spiritual cousin to such films as Witness, Bridges of Madison County, and The Remains of the Day.  All four films, while depicting characters living very different lives in different times and places, are at their core about the longing between two people who are unable or unwilling to bridge the gulf that separates them.  Obviously, the distinguishing factor setting Brokeback Mountain apart is that its forbidden love affair, unlike the above films, is between two men, and while the homosexual aspect will make some viewers uncomfortable, to pigeonhole it as a “gay cowboy movie”, as some have dismissively done, is a disservice and an oversimplification.  The complexity of the characters’ dynamics defy such easy labels. Continue reading

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