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action thriller

The Predator (2018)

DIRECTOR: Shane Black

CAST: Boyd Holbrook, Olivia Munn, Sterling K. Brown, Trevante Rhodes, Jacob Tremblay, Thomas Jane, Keegan-Michael Key, Augusto Aguilera, Alfie Allen, Yvonne Strahovski, Jake Busey

REVIEW:

WARNING: THIS REVIEW WILL DISCUSS “SPOILERS”

Like the Alien franchise it has occasionally ill-advisedly crossed over with, Predator is one of those franchises that keeps limping along long past its expiration date.  One could argue that in fact Predator was never even much of a franchise to begin with.  1987’s original wasn’t any kind of great movie, and doesn’t hold up as a sci-fi thriller classic on the level of Alien or Aliens, but it featured Arnold Schwarzenegger at his most cigar-chomping and one-liner-spouting (“get to da choppa!”) front-and-center, surrounded by a merry band of macho men (with a cast including fellow future Governor Jesse Ventura, along with Carl “Apollo Creed” Weathers, Bill Duke, and Sonny Landham, it was sort of like a forerunner to The Expendables), and served up enough hardcore action with a sci-fi twist to be a popular “man’s movie” (the 1990 sequel, starring Danny Glover, wasn’t as good, although it had its moments).  After two crossovers dubbed Alien vs. Predator, the concept of which was dubious and the execution worse, Nimrod Antal and Robert Rodriguez tried to course correct by getting back to the basics with 2010’s Predators, which again had its moments but not enough to resurrect a “franchise” that arguably never warranted being stretched out into a film series in the first place.  And now, just when Predator seemed dead (again), along comes Shane Black (a cast member of the original movie but better-known as a screenwriter/director, including writing the Lethal Weapon series and directing such films as Iron Man 3, Kiss Kiss Bang Bang, and The Nice Guys).  Alas, Black’s involvement with the original film does not signal a return to that quality level.  The Predator falls into the same category as the likes of Independence Day: Resurgence and Alien: Resurrection, a sloppy, uninspired, past-its-sell-date sequel that fails to breathe any fresh life into a series that has long since run dry. Continue reading

The Meg (2018)

Image result for the megDIRECTOR: Jon Turtletaub

CAST: Jason Statham, Li Bingbing, Rainn Wilson, Cliff Curtis, Ruby Rose, Winston Chao, Robert Taylor, Jessica McNamee, Masi Oka, Page Kennedy, Ólafur Darri Ólafsson, Shuya Sophia Cai

REVIEW:

The Meg (based very loosely on the first novel in a book series by Steve Alten) is an example of a movie whose trailer is more entertaining than the movie itself.  The trailer doesn’t lead anyone to go in with Best Picture aspirations, but it suggests big, dumb, campy fun with a breezy tone.  In reality, while indeed cheesy, The Meg takes itself entirely too seriously and holds back the inherently silly premise rather than embracing the absurdity. Continue reading

Skyscraper (2018)

DIRECTOR: Rawson Marshall Thurber

CAST: Dwayne Johnson, Neve Campbell, McKenna Roberts, Noah Cottrell, Roland Moller, Chin Han, Hannah Quinlivan, Noah Taylor, Byron Mann, Elfina Luk, Pablo Schreiber

REVIEW:

Among the myriad lesser Die Hard knock-offs, Skyscraper falls somewhere in the middle, an adequately involving diversion in the moment that doesn’t leave a strong impression once all the stunts and pyrotechnics are over.  A mash-up of Die Hard and The Towering Inferno, it feels like something that would have been at home in the 1980s starring the likes of Arnold Schwarzenegger (whose career Dwayne Johnson often seems to be attempting to emulate) or Sylvester Stallone.  Continue reading

Hotel Artemis (2018)

DIRECTOR: Drew Pearce

CAST: Jodie Foster, Sterling K. Brown, Sofia Boutella, Dave Bautista, Charlie Day, Jenny Slate, Jeff Goldblum, Zachary Quinto

REVIEW:

Hotel Artemis is a slick, engaging action thriller that holds the attention while it lasts (which is just shy of an hour and a half) but ends up feeling a trifle insubstantial and underdeveloped.  Its vibe is halfway between comic book and Tarantino wannabe, and it boasts enough flashy action sequences, colorful characters, tension, and a few twists and turns to engage in the moment, even if the conclusion underwhelms. Continue reading

Proud Mary (2018)

DIRECTOR: Babak Najafi

CAST: Taraji P. Henson, Jahi Di’Allo Winston, Billy Brown, Danny Glover, Xander Berkeley, Neal McDonough, Rade Sherbedgia

REVIEW:

One strongly suspects Proud Mary would have been straight-to-video fare if not for the presence of multi-Emmy and Oscar nominee Taraji P. Henson in the title role, and that’s where the quality level lies.  Proud Mary is an enjoyable enough diversion in the moment, but a generic and uninspired shoot-em-up that doesn’t offer anything memorable. Continue reading

American Assassin (2017)

DIRECTOR: Michael Cuesta

CAST: Dylan O’Brien, Michael Keaton, Taylor Kitsch, Sanaa Lathan, Shiva Negar, David Suchet

REVIEW:

Based on Vince Flynn’s 2010 novel, one of a series of books following the titular “American Assassin” Mitch Rapp, American Assassin is diverting enough for undemanding fans of the action genre, but doesn’t do anything special to distinguish itself in a crowded genre.  The generic by-the-numbers plot could easily have been lifted from a Tom Clancy novel (in fact, with minor tweaks, it could have easily been a young Jack Ryan adventure), and the movie doesn’t feature any surprising twists or turns or anything we haven’t seen (and seen better) elsewhere. Continue reading

Atomic Blonde (2017)

DIRECTOR: David Leitch

CAST: Charlize Theron, James McAvoy, Sofia Boutella, John Goodman, Toby Jones, Eddie Marsan, Til Schweiger, Bill Skarsgard, Roland Moller

REVIEW:

Atomic Blonde plays out like a blend of the convoluted, labyrinthine Cold War intrigue of a John Le Carre novel with the kinetic action of a Jason Bourne movie, but the level of style and panache director David Leitch brings to the material, and the entertainment value of Charlize Theron kicking ass and looking stylish while doing it can’t quite make up for a murky, muddled plotline that’s difficult to follow. Continue reading

Blood Father (2016)

DIRECTOR: Jean-Francois Richet

CAST: Mel Gibson, Erin Moriarty, Diego Luna, William H. Macy, Michael Parks

REVIEW:

One suspects this gritty but generic action thriller would have been direct-to-video if not for the presence of Mel Gibson, but while Blood Father is an unexceptional, sporadically involving Taken variation that never really rises above its B movie level, it provides an adequately diverting entry in its genre for those who have eighty-eight minutes to kill and aren’t too demanding. Continue reading

Criminal (2016)

DIRECTOR: Ariel Vromen

CAST: Kevin Costner, Gal Gadot, Gary Oldman, Tommy Lee Jones, Jordi Molla, Antje Traue, Alice Eve, Michael Pitt, Ryan Reynolds

REVIEW:

Criminal uses a ridiculous premise as a launching pad for a generic action flick that generates neither interest nor excitement, at least not in more than fleeting spurts.  For a movie that often apes the Jason Bourne series, with a sci-fi twist thrown in, Criminal offers none of the compulsive entertainment value. Continue reading

London Has Fallen (2016)

London-Has-Fallen-Butler-EckhartDIRECTOR: Babak Najafi

CAST: Gerard Butler, Aaron Eckhart, Morgan Freeman, Angela Bassett, Charlotte Riley, Radha Mitchell, Melissa Leo, Robert Forster, Jackie Earle Haley, Alon Aboutboul, Waleed Zuaiter

REVIEW:

2013’s Olympus Has Fallen wasn’t any kind of great movie, but it was a surprisingly enjoyable Die Hard knock-off with enough hardcore action to satisfy fans of the genre.  But while an entertaining enough diversion, it wasn’t a movie that particularly cried out for a sequel, and London Has Fallen has the hallmarks of a sequel that was slapped together because the original did well at the box office, not because the filmmakers (with Antoine Fuqua replaced in the director’s chair by Babak Najafi) had any fresh or innovative ideas.  London Has Fallen is tired and generic with a low energy level.  For undemanding, mindless diversion, it might still be adequate, but those seeking those qualities would be better-served just re-watching the first one (or better yet, the granddaddy of them all, the original Die Hard). Continue reading

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