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action-adventure

Rampage (2018)

DIRECTOR: Brad Peyton

CAST: Dwayne Johnson, Naomie Harris, Jeffrey Dean Morgan, Malin Akerman, Jake Lacy, Joe Manganiello

REVIEW:

Is it possible for a movie to embody the adage “go big or go home” and miss it at the same time?  Rampage (loosely based on a 1980s arcade game) takes too long to rampage.  Like many a “meh” disaster/monster movie, entirely too much time is spent on the “storylines” of one-dimensional human characters scurrying around underfoot and getting in the way on the monster-on-monster rumble that, let’s face it, everyone bought a ticket for.  Fans of pseudo-Godzilla/King Kong giant mutant monster action might find enough here to wet their appetite, but maybe not enough for a full course. Continue reading

Tomb Raider (2018)

DIRECTOR: Roar Uthaug

CAST: Alicia Vikander, Dominic West, Walton Goggins, Daniel Wu, Kristin Scott-Thomas, Derek Jacobi

REVIEW:

Hollywood has long had a hard time adapting video games to films in ways that make them equally engaging and cinematically satisfying, and while Tomb Raider (a reboot of the long-running video game series unconnected to the two past Angelina Jolie films) is more competent than Assassin’s Creed (no great high bar to hurdle), it only provides more ammunition for the argument that a video game is an inherently more interactive and engaging experience than a film based on it can be.  Tomb Raider might be the most faithful game-to-film adaptation yet, but reducing the interactivity of the game to the passivity of watching a preordained movie inherently removes a critical element.  Tomb Raider is an adequate diversion, but there’s something Point A to Point B about its generic and non-innovative narrative that dilutes the excitement. Continue reading

Pacific Rim: Uprising (2018)

DIRECTOR: Steven S. DeKnight

CAST: John Boyega, Scott Eastwood, Cailee Spaeny, Charlie Day, Burn Gorman, Tian Jing, Rinko Kikuchi

REVIEW:

Among superfluous sequels slapped-together because the original was deemed to make sufficient profits (2013’s Pacific Rim did not do that well in the US, but was big in China, which persuaded Universal and Chinese-owned Legendary Pictures to cough up the money for a second installment), Pacific Rim: Uprising is at least a fresher and more enjoyable experience than the tired, low energy likes of Independence Day: Resurgence or London Has Fallen.  The first Pacific Rim was not a great movie, but Guillermo Del Toro crafted it as an obvious passion project and a love letter to both the anime and kaiju—Japanese monster movie—genres (probably why it was more popular in Asia than the United States), and served up a smorgasbord of geeky fun for those who simply delighted in the big-budget, splashy special effects-filled spectacle of giant monsters duking it out with giant robots.  Like many sequels, Uprising tries to serve up bigger—the climactic battle royale pits four Jaeger robots against a supersized kaiju—but serves up enough of more of the same to entertain fans of what the first had to offer.  If you’re the audience for this, you probably know who you are by now. Continue reading

Black Panther (2018)

DIRECTOR: Ryan Coogler

CAST: Chadwick Boseman, Michael B. Jordan, Lupita Nyong’o, Angela Bassett, Forest Whitaker, Danai Gurira, Letitia Wright, Daniel Kaluuya, Martin Freeman, Andy Serkis, Winston Duke, Sterling K. Brown

REVIEW:

For those suffering from conventional superhero movie fatigue, Black Panther is different enough to feel a little fresher, even if it ultimately adheres to basic superhero movie expectations.  Before agreeing to co-write and direct, Ryan Coogler (a “serious” director who previously helmed Fruitvale Station and Creed) ensured that he would be granted a considerable level of freedom and independence, and this might account for Black Panther feeling more like a unique entity unto itself and less cookie cutter than the likes of Spider-Man: HomecomingThe movie is also not overly concerned with reminding us it’s a part of the larger Marvel Cinematic Universe.  Apart from some thin connective tissue, Black Panther can stand on its own as one of the few recent Marvel outings that could be watched without much confusion by a casual viewer who hasn’t kept up with the entire interconnected MCU. Continue reading

Star Wars Episode VIII: The Last Jedi (2017)

DIRECTOR: Rian Johnson

CAST: Daisy Ridley, Mark Hamill, Adam Driver, Carrie Fisher, John Boyega, Oscar Isaac, Domhnall Gleeson, Laura Dern, Benicio Del Toro, Kelly Marie Tran, Gwendoline Christie, Lupita Nyong’o, Andy Serkis

REVIEW:

SPOILER WARNING: I HAVE STRIVED TO NOT REVEAL EXPLICIT SPOILERS; HOWEVER IT IS DIFFICULT TO EXPRESS MY OPINION WITHOUT DISCUSSING SOME “SPOILER” PLOT ELEMENTS.

Picking up where J.J. Abrams left off with 2015’s The Force Awakens, writer-director Rian Johnson (Looper) has taken us back to a galaxy far, far away and chosen to subvert fan expectations and go in some unexpected directions, with mixed results.  Johnson doesn’t play it as safe as Abrams (who received some criticism for more-or-less remaking a tweaked version of A New Hope), but defying expectations in and of itself does not a satisfying narrative make.  The third act kicking into high gear does not entirely make up for a previous fragmented plot with flagging momentum.  The Last Jedi, while receiving general critical praise, is already proving divisive among fans.  It ultimately arrives at a (mostly) satisfying climax, but the path there is unwieldy and meandering. Continue reading

King Arthur: Legend of the Sword (2017)

DIRECTOR: Guy Ritchie

CAST: Charlie Hunnam, Jude Law, Djimon Hounsou, Astrid Berges-Frisbey, Aidan Gillen, Annabelle Wallis, Eric Bana

REVIEW:

As he previously did with Sherlock Holmes, Guy Ritchie has now set his sights on putting his distinctive spin on the legend of King Arthur.  More than most directors, Ritchie’s films are permeated with his own sensibilities and heavily stylized, which has its share of fans as well as its share of those whom it rubs the wrong way, and just as some Sherlock Holmes were less-than-impressed with what he did with Sir Arthur Conan Doyle’s creation, many adherents of the legend of King Arthur and the Knights of the Round Table will not be impressed with this “retelling”.  Legend of the Sword piles on a healthy helping of Ritchie’s stylized action, but an epic fantasy adventure, this is not. Continue reading

Guardians of the Galaxy Vol. 2 (2017)

DIRECTOR: James Gunn

CAST: Chris Pratt, Zoe Saldana, Dave Bautista, Bradley Cooper (voice), Vin Diesel (voice), Michael Rooker, Karen Gillan, Kurt Russell, Pom Klementieff, Elizabeth Debicki

REVIEW:

Back in 2014, Guardians of the Galaxy was considered a risky proposition for Marvel Studios, spending a lot of money making and promoting a movie featuring superheroes far lesser-known than the likes of Iron Man, Captain America, Thor, and company who make up Marvel’s flagship The Avengers, but three years and $750 million later, the new film franchise is one of the flourishing studio’s most popular properties.  Now that the inevitable sequel has arrived, the wait will probably be worth it for most fans.  The simply titled Vol. 2 is an entertaining ride, even if it lacks a little of the freshness of its predecessor and at times feels a little weighed down by the burden on sequels to be “bigger”. Continue reading

Kong: Skull Island (2017)

DIRECTOR: Jordan Vogt-Roberts

CAST: Tom Hiddleston, Brie Larson, Samuel L. Jackson, John C. Reilly, John Goodman, John Ortiz, Toby Kebbell, Corey Hawkins, Tian Jing

REVIEW:

As Marvel has done with the Avengers and assorted related characters, Legendary Pictures is now in the process of establishing an interconnected “cinematic universe” which began with 2014’s Godzilla reboot and continues here with Kong: Skull Island, leading up to 2020’s King Kong vs. Godzilla and possibly a resurrection of the Monster Island from the classic Godzilla series of the 1960s.  To that end, Skull Island is a fun monster movie romp that serves up healthy helpings of what audiences expect when they sit down in the theater for this sort of thing.  It’s not a great movie, or even a great monster movie, but those simply looking for a fun romp through the jungle shouldn’t be disappointed. Continue reading

The Great Wall (2017)

DIRECTOR: Zhang Yimou

CAST: Matt Damon, Tian Jing, Pedro Pascal, Willem Dafoe, Andy Lau

REVIEW:

The Great Wall was touted as a major collaboration between the Chinese film industry and Hollywood, with the biggest budget in the history of Chinese motion pictures, special effects by Industrial Light & Magic, and a collection of respectable talent including Matt Damon, acclaimed director Zhang Yimou, and writers Tony Gilroy and Edward Zwick, but the end result is lackluster.  The Great Wall might be entertaining for twelve-year-old boys demanding nothing more substantive than some action, special effects, and big battle scenes, but is a waste of time and money for anyone else, including the cast and crew. Continue reading

Rogue One: A Star Wars Story (2016)

rogueDIRECTOR: Gareth Edwards

CAST: Felicity Jones, Diego Luna, Forest Whitaker, Ben Mendelsohn, Mads Mikkelsen, Donnie Yen, Jiang Wen, Riz Ahmed, Alan Tudyk (voice)

REVIEW:

WARNING: THIS REVIEW WILL CONTAIN “SPOILERS”

Rogue One, the second entry in Disney’s revival of the Star Wars franchise after buying the rights from creator George Lucas, represents a risky departure and an attempt at doing something different with the iconic property.  Unlike last year’s The Force AwakensRogue One is not a continuation of the main series (as evidenced by being titled as a Star Wars “story” as opposed to an episode), but a mostly stand-alone entry that serves as a prequel/tie-in with the original 1977 A New Hope, chronicling the untold story of exactly how those stolen Death Star plans fell into the rebels’ hands in the first place.  The result comes with plenty of familiar Star Wars trappings (some more heavy-handed than others), but a markedly different tone and feel.  Rogue One bears more resemblance to a Dirty Dozen-style war/spy thriller than a conventional Star Wars movie.  To that end, it’s generally well-crafted, but doesn’t completely avoid feeling like a “take it or leave it” footnote to the original trilogy. Continue reading

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