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action

Terminator: Dark Fate (2019)

DIRECTOR: Tim Miller

CAST: Arnold Schwarzenegger, Linda Hamilton, Mackenzie Davis, Natalia Reyes, Gabriel Luna

REVIEW:

And now in the latest of far too many examples of Hollywood’s dearth of original ideas, the long-running—and long-suffering—Terminator franchise once again proves itself even harder to kill than its titular killer cyborgs, despite the fact that it passed its sell-by date quite a while ago (for my money, all the way back in 1991). While Dark Fate‘s promotion made much ta-do out of the “return” of James Cameron (who gets a producer and co-writer credit but did not retake the director’s chair, which is occupied by Deadpool‘s Tim Miller, leaving it questionable how much direct involvement Cameron really had) and Linda Hamilton (who hasn’t taken part in the franchise since 1991’s Judgment Day, turned down a chance to reprise her role in 2003’s Rise of the Machines, and should have turned this one down too), neither Cameron nor his ex-wife’s names in the credits signals a return to the quality of the first two installments, which slipped after Cameron moved on and has never been regained. Dark Fate ignores the existence of every entry since T2 and acts as a direct sequel to the first two and the first two alone—which many fans would likely have been okay with—but alas it doesn’t replace them with anything superior. It’s probably better than its immediate predecessor Genisys (no great accomplishment), but finds its own new ways of dumping on the series mythos.

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Angel Has Fallen (2019)

DIRECTOR: Ric Roman Waugh

CAST: Gerard Butler, Morgan Freeman, Nick Nolte, Danny Huston, Piper Perabo, Jada Pinkett-Smith, Tim Blake Nelson

REVIEW:

Despite ever-worsening critical reviews, the “[INSERT CODE NAME HERE] Has Fallen” franchise, like its generically stalwart hero Mike Banning, keeps chugging along. 2013’s Olympus Has Fallen wasn’t any kind of great movie, but it was a surprisingly enjoyable Die Hard knock-off. 2016’s London Has Fallen was a lazy, uninspired, low energy classic example of a sequel slapped together because the original did well at the box office, not because there was anywhere fresh or interesting to take the story. Angel Has Fallen is probably a little better, and at least a little more engaging, than London Has Fallen, but not as good as Olympus Has Fallen. It achieves more-or-less exactly what it promises—-a generic, moderately diverting but immediately forgettable action shoot-em-up—which given this franchise’s track record, is a low bar to hurdle.

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Skyscraper (2018)

DIRECTOR: Rawson Marshall Thurber

CAST: Dwayne Johnson, Neve Campbell, McKenna Roberts, Noah Cottrell, Roland Moller, Chin Han, Hannah Quinlivan, Noah Taylor, Byron Mann, Elfina Luk, Pablo Schreiber

REVIEW:

Among the myriad lesser Die Hard knock-offs, Skyscraper falls somewhere in the middle, an adequately involving diversion in the moment that doesn’t leave a strong impression once all the stunts and pyrotechnics are over.  A mash-up of Die Hard and The Towering Inferno, it feels like something that would have been at home in the 1980s starring the likes of Arnold Schwarzenegger (whose career Dwayne Johnson often seems to be attempting to emulate) or Sylvester Stallone.  Continue reading

Ant-Man and the Wasp (2018)

DIRECTOR: Peyton Reed

CAST: Paul Rudd, Evangeline Lilly, Michael Douglas, Michael Pena, Hannah John-Kamen, Walton Goggins, Laurence Fishburne, Michelle Pfeiffer, Randall Park, T.I., David Dastmalchian, Judy Greer, Bobby Cannavale, Abby Ryder Fortson

REVIEW:

After the grim finale of The Avengers: Infinity War, Ant-Man and the Wasp could be viewed as a sort of palette cleanser.  The follow-up to 2015’s Ant-Man maintains the same lightweight insubstantial tone, served up with more nifty visuals and one of the highest humor quotients of any MCU movie.  The result is nowhere near among the MCU’s stronger offerings but is an enjoyable enough diversion, especially for those seeking something a little lighter staggering shell-shocked out of the theater after Infinity War. Continue reading

The Avengers: Infinity War (2018)

DIRECTOR: Anthony Russo & Joe Russo

CAST: Robert Downey Jr., Chris Hemsworth, Chris Evans, Mark Ruffalo, Scarlett Johansson, Chris Pratt, Benedict Cumberbatch, Chadwick Boseman, Tom Holland, Elizabeth Olsen, Paul Bettany, Zoe Saldana, Karen Gillan, Josh Brolin, Sebastian Stan, Benedict Wong, Dave Bautista, Anthony Mackie, Don Cheadle, Pom Klementieff, Danai Gurira, Tom Hiddleston, Idris Elba, Winston Duke, Letitia Wright, Benicio Del Toro, Gwyneth Paltrow, William Hurt, Peter Dinklage, Bradley Cooper (voice), Vin Diesel (voice)

REVIEW:

After a decade’s worth of movies (starting with 2008’s Iron Man which kicked off the Marvel Cinematic Universe), we’re finally coming to the long-gestating endgame which will purportedly serve as the end of an era at least for some of the MCU’s crowded cast of characters, but while continuing Marvel’s pattern of trying to outdo itself with each consecutive all-star team-up offering by throwing the kitchen sink and an ever bigger cast of characters at the screen in ever more outsized ways, the long-hyped Infinity War feels like half a movie.  This might be an inevitability given this “endgame” will be concluded in the as-yet-untitled Avengers 4 still twelve months away, but it leaves a feeling that’s a little hollow, flashy spectacle, splashy special effects, and battles large and small everywhere you look, but lacking a certain impact. Continue reading

Rampage (2018)

DIRECTOR: Brad Peyton

CAST: Dwayne Johnson, Naomie Harris, Jeffrey Dean Morgan, Malin Akerman, Jake Lacy, Joe Manganiello

REVIEW:

Is it possible for a movie to embody the adage “go big or go home” and miss it at the same time?  Rampage (loosely based on a 1980s arcade game) takes too long to rampage.  Like many a “meh” disaster/monster movie, entirely too much time is spent on the “storylines” of one-dimensional human characters scurrying around underfoot and getting in the way of the monster-on-monster rumble that, let’s face it, is the part of the movie everyone bought a ticket for.  Fans of pseudo-Godzilla/King Kong giant mutant monster action might find enough here to wet their appetite, but maybe not enough for a full course. Continue reading

Tomb Raider (2018)

DIRECTOR: Roar Uthaug

CAST: Alicia Vikander, Dominic West, Walton Goggins, Daniel Wu, Kristin Scott-Thomas, Derek Jacobi

REVIEW:

Hollywood has long had a hard time adapting video games to films in ways that make them equally engaging and cinematically satisfying, and while Tomb Raider (an adaptation of the long-running video game series, and a film reboot unconnected to the two past Angelina Jolie films) is more competent than Assassin’s Creed (no great high bar to hurdle), it only provides more ammunition for the argument that a video game is an inherently more interactive and engaging experience than a film based on it can be.  Tomb Raider might be the most faithful game-to-film adaptation yet, but reducing the interactivity of the game to the passivity of watching a preordained movie inherently removes a critical element.  Tomb Raider is an adequate diversion, but there’s something Point A to Point B about its generic and non-innovative narrative that dilutes the excitement. Continue reading

Pacific Rim: Uprising (2018)

DIRECTOR: Steven S. DeKnight

CAST: John Boyega, Scott Eastwood, Cailee Spaeny, Charlie Day, Burn Gorman, Tian Jing, Rinko Kikuchi

REVIEW:

Among superfluous sequels slapped-together because the original was deemed to make sufficient profits (2013’s Pacific Rim did not do that well in the US, but was big in China, which persuaded Universal and Chinese-owned Legendary Pictures to cough up the money for a second installment), Pacific Rim: Uprising is at least a fresher and more enjoyable experience than the tired, low energy likes of Independence Day: Resurgence or London Has Fallen.  The first Pacific Rim was not a great movie, but Guillermo Del Toro crafted it as an obvious passion project and a love letter to both the anime and kaiju—Japanese monster movie—genres (probably why it was more popular in Asia than the United States), and served up a smorgasbord of geeky fun for those who simply delighted in the big-budget, splashy special effects-filled spectacle of giant monsters duking it out with giant robots.  Like many sequels, Uprising tries to serve up bigger—the climactic battle royale pits four Jaeger robots against a supersized kaiju—but serves up enough of more of the same to entertain fans of what the first had to offer.  If you’re the audience for this, you probably know who you are by now. Continue reading

The Commuter (2018)

DIRECTOR: Jaume Collet-Serra

CAST: Liam Neeson, Vera Farmiga, Patrick Wilson, Sam Neill, Jonathan Banks, Elizabeth McGovern

REVIEW:

Another year, another Liam Neeson action flick. Once a “serious thespian”, Neeson has recently reinvented himself as starring in as many disposable thrillers as Steven Seagal. This time, the big guy reunites with Jaume Collet-Serra, who attempts a variation on their previous project, Non-Stop, a wannabe Hitchcockian thriller set within the confines of an airplane and serving up paranoia with a planeload of suspects and red herrings. This time, in what passes for variety on Neeson’s filmography these days, it’s a train. If you enjoyed Non-Stop, you may also find The Commuter intriguing, but while Non-Stop was able to distract from its plot holes and implausibilities “in the moment”, the convoluted mess going on in The Commuter isn’t able to achieve the same effect, at least not to the same extent. This is the kind of movie that defines “flash in the pan”: compulsive viewing in the moment, and immediately disposable.

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Proud Mary (2018)

DIRECTOR: Babak Najafi

CAST: Taraji P. Henson, Jahi Di’Allo Winston, Billy Brown, Danny Glover, Xander Berkeley, Neal McDonough, Rade Sherbedgia

REVIEW:

One strongly suspects Proud Mary would have been straight-to-video fare if not for the presence of multi-Emmy and Oscar nominee Taraji P. Henson in the title role, and that’s where the quality level lies.  Proud Mary is an enjoyable enough diversion in the moment, but a generic and uninspired shoot-em-up that doesn’t offer anything memorable. Continue reading

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