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August 2020
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2020

Hamilton (2020)

DIRECTOR: Thomas Kail

CAST: Lin-Manuel Miranda, Leslie Odom Jr., Christopher Jackson, Phillipa Soo, Renée Elise Goldsberry, Daveed Diggs, Jonathan Groff

REVIEW:

Counting Hamilton as a “movie” is using the term loosely, rather a live film recording of the original run of the 2015 Broadway musical featuring its original cast, but while no filmed recording can fully recreate the immersive nature of seeing a show live, Hamilton‘s release on online streaming service Disney + (following Disney outbidding all competition to call dibs on the film rights) gives a chance for those who missed or could not afford the opportunity to buy Broadway tickets, or those who wish to revisit the play’s original run with its original cast, a chance to experience the phenomenon for themselves. A musical adaptation of Ron Chernow’s 2004 biography of American Founding Father Alexander Hamilton, with Broadway star Lin-Manuel Miranda composing the songs, writing the lyrics, and starring in the title role, Hamilton deserves its success and popularity. While non-musical fans might not be converted, for those to whom the medium appeals, it’s a lively, lavish, passionate production of the highest quality combining rap, pop, and showtunes to turn a biography into an engaging and energetic modernized history lesson that both educates and entertains.

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7500 (2020)

DIRECTOR: Patrick Vollrath

CAST: Joseph Gordon-Levitt, Omid Memar, Aylin Tezel, Paul Wollin, Carlo Kitzlinger

REVIEW:

From first-time German director Patrick Vollrath comes this spare thriller taking place within the closed confines of a plane cockpit. For much of its slim hour and a half runtime, 7500 is a tense, uneasy experience in a claustrophobic environment, but even at its brisk length, it runs out of gas before dragging itself across the finish line with a somewhat unsatisfactory conclusion.

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Birds of Prey (and the fantabulous emancipation of one Harley Quinn) (2020)

DIRECTOR: Cathy Yan

CAST: Margot Robbie, Rosie Perez, Mary Elizabeth Winstead, Jurnee Smollett-Bell, Ella Jay Basco, Ewan McGregor, Chris Messina

REVIEW:

Like last year’s Shazam!, the wordily-titled Birds of Prey (and the fantabulous emancipation of one Harley Quinn) demonstrates that the most enjoyable entries to emerge from the troubled DCEU are those that throw the dark and dreary approach brought into vogue by Zack Snyder to the wind and go into outright comedy mode (or, barring that, are simply unconnected stand-alones like Todd Phillips’ critically-acclaimed Joker or Matt Reeves’ upcoming Batman movie). DC’s answer to Marvel’s Deadpool, Birds of Prey employs a similarly madcap comedic approach, stylized action, a whiz-bang pace, and an unreliable (and thoroughly whacked-out) narrator/protagonist (Margot Robbie’s Harley Quinn, who stole the show in the Suicide Squad ensemble and has been rewarded with her own movie). While Birds of Prey is not as well-constructed as the first Deadpool, it’s in similar enough vein that it might appeal to some of the same audience. It’s a glibly vapid and chaotic hyperkinetic mess that never completely comes together, but it’s at least never boring.

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