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Monthly Archives: April 2019

The Avengers: Endgame (2019)

DIRECTOR: Anthony Russo, Joe Russo

CAST: Robert Downey Jr., Chris Evans, Chris Hemsworth, Mark Ruffalo, Scarlett Johansson, Jeremy Renner, Paul Rudd, Brie Larson, Josh Brolin, Karen Gillan, Don Cheadle, Bradley Cooper (voice)

REVIEW:

This is it. After eleven years and twenty-two movies, the long-awaited “endgame” that came to a head in last year’s The Avengers: Infinity War comes to a conclusion, and with it so too does at least the first phase of the Marvel Cinematic Universe which began with 2008’s Iron Man and has since blown up into an interconnected universe more sprawling and ambitious than has ever been mounted before. It’s also no secret—and has not been for quite some time—that the appropriately-titled Endgame is the swan song for at least some of the MCU’s crowded cast of characters, including some of its biggest mainstays, a fact its fans have made their peace with long before setting foot in the theater. The MCU will go on, to be sure (this isn’t even the last MCU installment of the year), but it will not go on for everyone. Like the sign-off of the original cast of Star Trek, it’s the end of an era. Endgame fulfills its mission. The two-part climax of this first phase of the MCU is brought to a (mostly) satisfactory conclusion, but the movie’s real strength is serving as a well-crafted love letter both to the entire MCU up to this point and to the fans who’ve come along on every step of the journey.

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The Best of Enemies (2019)

DIRECTOR: Robin Bissell

CAST: Sam Rockwell, Taraji P. Henson, Babou Ceesay, Anne Heche, Wes Bentley, Bruce McGill

REVIEW:

Quick on the heels of recent Best Picture winner Green Book comes yet another one of those standard-issue, well-intentioned 1960s “based on a true story” race relations dramas that are all the rage these days. Given the current political climate, a movie about a die-hard racist and an equally aggressive black activist getting past their enmity isn’t necessarily a bad thing, but even more so than Green Book (an enjoyable, inoffensive little movie which was not, in my opinion, Oscar material), The Best of Enemies is standard issue and a little trite and does nothing to distinguish itself from all the other movies covering similar subject matter in recent years. It’s easily lumped in with the likes of The Help, Hidden Figures (also starring Taraji P. Henson), and Green Book, and doesn’t linger in the memory.

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Shazam! (2019)

DIRECTOR: David F. Sandberg

CAST: Zachary Levi, Asher Angel, Mark Strong, Jack Dylan Grazer, Grace Fulton, Marta Milans, Cooper Andrews, Faithe Herman, Ian Chen, Jovan Armand, Djimon Hounsou

REVIEW:

With Shazam, the DC Expanded Universe plays about as far as possible from the dour dreariness of Batman v Superman. Shazam has its share of more conventional superhero action, but it’s not a straight entry; it’s far more family-friendly than the likes of Deadpool but exists in a somewhat similarly self-parodying vein (though even Shazam is not as openly satirical). The result is an effective mix of superheroics and spoofing thereof, and Shazam‘s status as a minor league player among the comic book superheroes who’ve been brought to the screen (no one expects it to compete against The Avengers: Endgame, but it’s not trying to) doesn’t stop it from being one of the fresher and more entertaining entries to crop up lately, especially from within the troubled DCEU. Were this MCU, it’d be a middle-of-the-road offering, but it’s the most unreservedly enjoyable entry to emerge from the DCEU thus far, and while it’s not a 100% straight comedy, it offers more laughs than some that ostensibly are.

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Dumbo (2019)

DIRECTOR: Tim Burton

CAST: Colin Farrell, Eva Green, Danny DeVito, Michael Keaton, Alan Arkin, Nico Parker, Finley Hobbins

REVIEW:

Dumbo began life as a children’s story published in 1939, written by the husband-and-wife duo of Helen Aberson and Harold Pearl. In 1941, Walt Disney, looking for something that could be slapped together quickly and cheaply to shove out into theaters to help offset mounting costs of his expensive flop Fantasia, bought the rights and the Dumbo animated film debuted in theaters, running a slim 64-minutes. While remembered fondly, it was arguably the most simplistic and juvenile of the Disney animated features of the time, so while this remake (of sorts) is the latest in Disney’s line-up of live-action recreations of its animated classics (following Kenneth Branagh’s Cinderella and Bill Condon’s Beauty and the Beast and soon to include Jon Favreau’s The Lion King and Guy Ritchie’s Aladdin), the brevity of the source material required Tim Burton and screenwriter Ehren Kruger to do a lot of padding. The result, as one might expect from a padded-out reimagining of a simplistic and juvenile cartoon, is a middling affair that contains enough special effects and lively sequences to entertain children but whose generic and uninspired narrative has less to offer for their parents. Adults accompanying their children may be sufficiently engaged to not be suffering in silence for their children’s sake (which alone bumps Dumbo up above some other theatrical options for family movie night), but adults attending alone may be less enthralled.

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