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Monthly Archives: July 2017

Baby Driver (2017)

DIRECTOR: Edgar Wright

CAST: Ansel Elgort, Lily James, Kevin Spacey, Jamie Foxx, Jon Hamm, Eiza Gonzalez, Jon Bernthal

REVIEW:

After all the higher-profile, more anticipated movies that have all, to greater or lesser degrees, felt underwhelming and failed to meet their hype (for my $.02, at least), it’s a simple, straightforward action flick that completely succeeds at what it sets out to do.  While their two plots don’t have much in common besides featuring some street chases, Baby Driver might appeal to those who enjoy the likes of Premium Rush; it’s nothing deep or complicated, but it provides a couple hours of breezy, fast-paced escapism and is an eminently engaging and satisfying entry for those seeking some straight-up action with dashes of humor and romance (and a busy soundtrack) thrown into the mix. Continue reading

Dunkirk (2017)

DIRECTOR: Christopher Nolan

CAST: Fionn Whitehead, Aneurin Barnard, Harry Styles, Mark Rylance, Cillian Murphy, Tom Hardy, Kenneth Branagh, James D’Arcy, Jack Lowden, Tom Glynn-Carney, Barry Keoghan

REVIEW:

With Dunkirk, Christopher Nolan has switched gears into a genre he’s never explored before, the war film, with a docudrama depiction of the Dunkirk evacuation (named after the French town where it took place), where 300,000 British soldiers with their backs against the sea were rescued by an armada of civilian volunteers, including fishing boats and private yachts, in what became known as “the miracle of Dunkirk” (despite being a retreat, the mass rescue was so unlikely that Winston Churchill himself cautioned the celebratory mood by stating that “wars are not won by evacuations”).   Perhaps partly because it focuses on an Allied retreat, perhaps partly because no Americans were involved (Dunkirk took place over a year before the United States entered the war), the Dunkirk evacuation hasn’t gotten much Hollywood attention; the only high-profile film I can recall even touching on it is Atonement, and that only in one sequence.  For the venerable writer-director, Dunkirk showcases his often-cited greatest strengths and weaknesses perhaps more starkly than ever before; a technically virtuoso filmmaking accomplishment but emotionally cold.  Dunkirk may strongly appeal to WWII buffs, but its appeal to mainstream audiences is in doubt. Continue reading

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