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Monthly Archives: March 2017

Life (2017)

DIRECTOR: Daniel Espinosa

CAST: Jake Gyllenhaal, Rebecca Ferguson, Ryan Reynolds, Hiroyuki Sanda, Ariyon Bakare, Olga Dihovichnaya

REVIEW:

WARNING: THIS REVIEW CONTAINS “SPOILERS”

Among the various sci-fi thrillers over the decades that owe greater or lesser degrees of inspiration to Ridley Scott’s 1979 AlienLife is one of the worthier indirect descendants/homages.  Daniel Espinosa is not terribly subtle about borrowing a page (or several pages) from Alien, but screenwriters Rhett Reese and Paul Wernick (the same men behind 2016’s very different Deadpool) also come up with enough twists and turns on their own for it not to be unforgivably derivative.  But while fans of Alien may find Life worth a look, be warned: this is a dark, gruesome ride that is not for the faint of heart or for those who demand happy endings. Continue reading

Beauty and the Beast (2017)

DIRECTOR: Bill Condon

CAST: Emma Watson, Dan Stevens, Luke Evans, Josh Gad, Kevin Kline, Ewan McGregor, Ian McKellen, Emma Thompson, Stanley Tucci, Gugu Mbatha-Raw, Audra McDonald

REVIEW:

Following in the footsteps of Kenneth Branagh’s Cinderella and Jon Favreau’s The Jungle Book, Bill Condon’s Beauty and the Beast is the latest (and arguably most ambitious yet) entry in Disney’s recent dubious fixation with throwing a lot of money around remaking its classic animated films as live-action versions.  For those who decry virtually shot-for-shot remakes of Disney classics that didn’t need to be remade (especially with “new” versions that are content to slavishly follow the source material rather than doing any different or innovative on their own), Beauty and the Beast is unlikely to convert them into the fold.  It’s technically well-made, handsomely-filmed, served up with a loving dose of nostalgia as a lavish love letter to the 1991 original, but despite sumptuous sets and flashy special effects, it lacks the heart and charm of the original.  There’s a sense of a by-the-numbers hollowness to the proceedings, like a competent but uninspired cover of a classic song.  Fans may enjoy themselves out of nostalgia, but it never escapes the shadow of its forefather (nor does it try). Continue reading

Kong: Skull Island (2017)

DIRECTOR: Jordan Vogt-Roberts

CAST: Tom Hiddleston, Brie Larson, Samuel L. Jackson, John C. Reilly, John Goodman, John Ortiz, Toby Kebbell, Corey Hawkins, Tian Jing

REVIEW:

As Marvel has done with the Avengers and assorted related characters, Legendary Pictures is now in the process of establishing an interconnected “cinematic universe” which began with 2014’s Godzilla reboot and continues here with Kong: Skull Island, leading up to 2020’s King Kong vs. Godzilla and possibly a resurrection of the Monster Island from the classic Godzilla series of the 1960s.  To that end, Skull Island is a fun monster movie romp that serves up healthy helpings of what audiences expect when they sit down in the theater for this sort of thing.  It’s not a great movie, or even a great monster movie, but those simply looking for a fun romp through the jungle shouldn’t be disappointed. Continue reading

Logan (2017)

DIRECTOR: James Mangold

CAST: Hugh Jackman, Dafne Keen, Patrick Stewart, Boyd Holbrook, Stephen Merchant, Richard E. Grant, Eriq La Salle

REVIEW:

Even more so than Christopher Nolan’s Batman trilogy, Logan defies the labels of “comic book” or “superhero” movie.  Together with last year’s Deadpoolit’s a rare “comic book movie” to earn a well-deserved R rating, but their tones couldn’t be more different.  Profanity and graphic violence flow freely in both, but while Deadpool was a tongue-in-cheek romp, Logan (loosely taking some elements from the Old Man Logan comic miniseries) is a dead serious, rather bleak affair.  But while their tones are polar opposites, Deadpool and Logan both refuse to play by conventional superhero movie rules.  Logan also serves as the swan song for two of moviedom’s most iconic superheroes, Hugh Jackman’s Wolverine and Patrick Stewart’s Charles Xavier (both of whom have reprised these characters off and on for the past seventeen years).  Small children should be left at home for this one, but for those to whom its grimness isn’t too jarring, Logan might be the most raw and uncompromising gut punch of any “comic book movie”.  Those who thought The Dark Knight was for grown-ups haven’t seen anything yet compared to where this movie dares to go. Continue reading

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